"The most scandalous thing about which wasn't their sexual explicitness-much of the imagery was safely PG-13- but their style: a luminous, lowbrow Mannerism, rendered with such self-evident technical brilliance that the works' tackiness begins to feel like an affront."--Rachel Wetzler "Art in America"
"This wonderful, almost overpoweringly virtuosic retrospective of nearly ninety small paintings spans her career... Love it or hate it, the breadth, rigor, and all-in commitment of Yuskavge's vision is undeniable."--Johanna Fateman "The New Yorker"
"The wild art star of the 1990s, known for her candy-colored voluptuaries with distorted faces and poses, ups her game."--Jerry Saltz "Vulture"
"More than thirty years of underage popsies rendered in Jordan-almond pastels and smoldering shades of red, gold, and acid green were on parade in 'Babie Brood: Small Paintings 1985-2018.'"--Zoë Lescaze "ARTFORUM"
"By blending realism and fantasy, Yuskavage challenges conventional expectations surrounding figurative painting."--Sarah Cascone "Artnet News"
"Lisa Yuskavage's art continues to defy characterization."--Thomas Gebremedhin "Wall Street Journal"
"As usual, dark humor and acrid color are mitigated by luminosity and sensitive execution."--Margaret McCann "Painter's Table"
"Yuskavage, a masterful colorist, makes lush, luminous, intentionally--and delightfully--gauche paintings that unsettle facile notions of misogyny, femininity and the female gaze."--Julia Felsenthal "The New York Times Style Magaine"