
Here's a book for aspiring artists written by a successful artist. Combining the author's own story with answers to the tough questions rising artists inevitably have, this book is not only about the creative process but also about navigating the turbulent waters of the social, professional, critical, and museum world artists inhabit.
Noah Charney is an art historian by training and is the founding director of the Association for Research into Crimes against Art (ARCA), a non-profit think tank and consultancy group on art crime prevention and solution. He has been written about internationally, including feature articles in the New York Times Magazine, Italy's Ventiquattro, Time Magazine, and has made appearances on National Public Radio, MSNBC, CNBC and ITV television, and many other news outlets. His novel, The Art Thief, was published in 2007 and has sold in sixteen other languages to date.
Dr. Noah Charney is the internationally best-selling author of more than a dozen books, translated into fourteen languages, including The Collector of Lives: Giorgio Vasari and the Invention of Art, which was nominated for the 2017 Pulitzer Prize in Biography, and Museum of Lost Art, which was the finalist for the 2018 Digital Book World Award. He is a professor of art history specializing in art crime, and has taught for Yale University, Brown University, American University of Rome and University of Ljubljana. He is founder of ARCA, the Association for Research into Crimes against Art, a ground-breaking research group (www.artcrimeresearch.org) and teaches on their annual summer-long Postgraduate Program in Art Crime and Cultural Heritage Protection. He has written for dozens of major magazines and newspapers, including The Guardian, the Washington Post, the Observer and The Art Newspaper. His recent books on art include The Devil in the Gallery: How Scandal, Shock and Rivalry Shaped the Art World, Making It: The Artist's Survival Guide, The 12-Hour Art Expert: Everything You Need to Know About Art in a Dozen Masterpieces, and Brushed Aside: The Untold Story of Women in Art, several of which were Amazon #1 best-sellers in their category. He also published the critically-acclaimed The Slavic Myths (Thames & Hudson) in the fall of 2023 and The Thefts of the Mona Lisa: The Complete Story of the World's Most Famous Artwork (Rowman & Littlefield, February 2024), which was praised in The New York Times Book Review and The Telegraph among others. He recently fronted an influencer campaign for Samsung, in 2022 he presented a BBC Radio 4 documentary, China's Stolen Treaures, his TED Ed videos (some on art crime) have been viewed by millions each, and he featured in a recent Amazon Prime documentary, The Picasso of Thieves. A course of his, "Lost Art," featured this summer for The Teaching Company's Great Courses/Wondrium, the first of several that are scheduled, and he teaches online courses for Atlas Obscura, the Smithsonian, the National Gallery UK, and Yale University on art theft and forgery. He lives in Slovenia with his wife, children and their hairless dog, Hubert van Eyck (believe it or not). Learn more at www.noahcharney.comA smashing story of how an artist never stops working, always keeps moving, doesn't allow rejection to define him, and who makes art that finds large audiences against all odds. An every-artist story.
--Jerry Saltz, senior art critic New York Magazine, and author of How To Be an ArtistMaking It: The Artist Survival Guide is a book every true artist cannot but love. It is, of course, impossible to condense the complex process of creativity into the form of "making it" guides which provide ready-made formulas for success, love life, getting friends, etc. - but for this very reason one should do it. This book gives you the freedom to follow its proposals or to mock them - to mock the rules, the rules should be there. If you do not need a "making it" guide for your work, you are not an original creative genius, you are an idiot.
--Slavoj Zizek, philosopher and best-selling authorWittily written as an autobiography, this book is a useful guide for any aspiring artist looking to navigate and engage the professional artworld. Through the conceptual lens and story of an acclaimed performance artist, it provides valuable insight into the machinations of the business, critical and social implications of this career path, leaving no stone unturned.
--Mitra Khorasheh, director, Signs and Symbols Gallery, New YorkPart Kurt Cobain, part Charles Bukowski, part Art school confidential, a 1990s journey through legend and reality from the Venice canals to the gutter and back again. JASA is Virgil to the Dante that is any young artist: guide and sage.
--Hamja Ahsan, award-winning artist, activist and author of Shy RadicalsJASA's book has perfect timing as we emerge from a kind of historical hell where art and metaphysics now have a restored powerful role to play. The promising young need all the wit and support that they can muster to continue the pleasures of the great journey of modernism.
--David Gothard, CBE, artistic directorIn the form of a guide on how to become an artist and still survive, in a playful and easy digestible way JASA and Noah Charney present the nature of contemporary art, and provide the signposts for young people. In times of lack of confidence in didactics and authorities, facing depletion and break-up of existing culture paradigm, they get to the heart of the issue, that art is not a profession, nor a hobby, but a specific condition rather, state of existence, an endless process consisting of a combination of dreams, doubts, successes, failures and hopes.
--Teresa and Andrzej Welminski, award-winning actors and directors"The reason we create is to make a legacy that will outlive us, to reach those who might never meet us," writes artist Jasa in his debut work, an earnest reference guide for aspiring professional artists. With the help of art historian Charney, Jasa touches upon a wide range of subjects, including where to find inspiration, how to exhibit work, and the mindset one should have when deciding to seriously pursue a career in art. Along the way, a number of maxims are doled out. Concerning art school: "Do not mistake life and success at art school for life and success outside of it." Another grounding lesson is how the medium will always be lucrative, if only for a select few. "The market is ruled by those with big bucks... almost all of that money goes to a tiny percentage of artists." As a general how-to guide, the work offers indispensable advice; however, its wisdom is still highly subjective. The real strength resides in the autobiographical accounts, as when Jasa recounts the personal highs and lows he's encountered in an industry that only offers "just a few minutes to demonstrate that you're worth more." Written with a dry wit and heartfelt emotion, this will appeal to Jasa's fans and those dreaming of a career in art.
-- "Publishers Weekly"