
Every summer, mayflies swarm the shores of Lake St. Clair for a week's time, before their bodies dry up and scatter like ashes. Set inside the blue-collar automotive town of Windsor, Ontario, Mayflies traces the trajectory of adolescence into adulthood: A personal inventory of "glass-specked streets and shuttered storefronts" and "open wounds and eyesores" that follows in the wake of the 2008 recession. Cassandra Caverhill captures urban decline and imagines the road ahead as pockmarked and pot-holed, with opportunities dissolving beneath the weight of semitrucks.
These narrative poems explore how place colors possibility and affects relationship; how the absence of feeling is filled by obliteration. Using sharp textural images and a keen self-awareness, the poet weaves her own struggles with Windsor's, chronicling the city's descent as though it were a loved one lost.
What happens when we are "flies caught between glass and screen"? Or when we watch "the upended city spin" as youthful passions, restlessness, addictions and deep despair pound our body and brain? The need for love, for belonging, for redemption looms large. These brave, sensuous, cleverly crafted poems are controlled but what they hold within cannot be controlled. Immersed in a harsh reality seemingly without hope, Caverhill looks unflinchingly at darkness, at transience, at when life "suddenly splits into before and after." This chapbook makes us walk the brink of the abyss, portrays struggle and survival, and the poet pushes us to the edge--we are always "on the verge of breaking open."
--Zilka Joseph, Author of Sharp Blue Search of Flame, What Dread, and Lands I Live In