Men Who Feed Pigeons

Selima Hill

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Men Who Feed Pigeons brings together seven contrasting but complementary poem sequences by 'this brilliant lyricist of human darkness' (Fiona Sampson) relating to men and different kinds of women's relationships with men. The Anaesthetist is about men at work; The Beautiful Man with the Unpronounceable Name is about someone else's husband; Billy relates to friendship between a man and a woman; Biro is about living next door to a mysterious uncle; The Man in the Quilted Dressing-gown portrays a very particular old man; Ornamental Lakes as Seen from Trains is about a woman and a man she's afraid of; while Shoebill is another sequence about a woman and a man, but quite different from the others. Like all of Selima Hill's work, all seven sequences in this book chart 'extreme experience with a dazzling excess' (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish.

Shortlisted for the T.S. Eliot Prize, Forward Prize and Rathbones Folio Prize.

Book Details

Publisher: Bloodaxe Books
Publish Date: Dec 7th, 2021
Pages: 160
Language: English
Edition: undefined - undefined
Dimensions: 8.40in - 5.40in - 0.50in - 0.55lb
EAN: 9781780375861
Categories: • European - English, Irish, Scottish, Welsh• Women Authors• Subjects & Themes - Family

About the Author

Selima Hill grew up in a family of painters in farms in England and Wales, and has lived in Dorset for the past 40 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won first prize in the Arvon International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008), which also includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK's major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice and was also shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations.

Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; Splash like Jesus (2017); I May Be Stupid But I'm Not That Stupid (2019); and Men Who Feed Pigeons (2021), shortlisted for the 2021 Forward Prize for Best Collection, the 2021 T.S. Eliot Prize, and the Rathbones Folio Prize 2022. Her 21st book of poetry, Women in Comfortable Shoes, is published by Bloodaxe in June 2023.

Selima Hill has been named winner of The King's Gold Medal for Poetry, 2022. The award is being made on the basis of her body of work, with special recognition for her 2008 Bloodaxe Books retrospective Gloria: Selected Poems.

Praise for this book

'Selima Hill is an inimitable talent. The mind is fragile and unreliable in her poetry, but is also tenacious and surprising, capable of the most extraordinary responses, always fighting back with language as its survival kit. Life in general might be said to be her subject, the complications, contradictions and consequences of simply existing. Nevertheless, Hill's writing is eminently readable and approachable, even fun at times, the voice of a person and a poet who will not be quieted and will not conform to expectations, especially poetic ones.' - Simon Armitage, UK Poet Laureate, on behalf of The King's Gold Medal for Poetry Committee

"Arguably the most distinctive truth teller to emerge in British poetry...Despite her thematic preoccupations, there's nothing conscientious or worthy about Hill's work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon...using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama...hers is a poetry of piercing emotional apprehension, lightly worn... So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry - not only for the courage of its subject matter but also for the lucid compression of its poetics." - Fiona Sampson, The Guardian

"In Hill's early collections, such as Saying Hello at the Station (1984) and The Accumulation of Small Acts of Kindness (1989), the poems are considerably longer, with more of a narrative drive. It's not that the recent work has no narrative - the poems always come in sequences - but they have the feel of comic strips rather than novels, and the unit of currency is the image.... the sequences accrue their characters and moods; the poems are part of something larger, like ornaments crowded together on a mantelpiece." - Emily Berry, London Review of Books

'I love Selima Hill. There are several sequences in this book - that's just one that I've talked about, and I've only talked about a fraction of the short poems in it - but you get so much from them. The juxtaposition of poem after poem is a fabulous experience. Her first collection came out in 1984, and she's been very prolific, so there's lots of Selima Hill out there - if I were you, I'd go get some!' - Frank Skinner, Frank Skinner's Poetry Podcast, on Men Who Feed Pigeons