Ming wishes for three things at Christmas. First, to sing in the school Christmas choir. Second, to have a Christmas tree like the one in the department store window. And third, to feel she belongs somewhere.
As a daughter of immigrants in 1930s California, Ming is often treated differently than other children at school. She's pointedly not invited to sing in the Christmas choir. At home, when Ming lobbies her parents for a Christmas tree, her mother scolds her for trying to be American. Ming doesn't seem to fit in anywhere: she's not quite American enough at school, not quite Chinese enough at home.
Seeing his daughter's unhappiness, Pop takes her into the mountains to visit a wise old friend. Always happy for an adventure with her kind father, Ming hopes to persuade Pop to bring home a mountain pine to be their Christmas tree. But he has something else in mind, something that will help Ming draw strength from nature, from their Chinese heritage, and from deep and enduring family ties.
Inspired by family stories.
Susan L. Gong is a former teacher of Mandarin Chinese. She holds a BA in English literature and an MA in creative writing. She and her family have lived in Asia, Europe, and North America.
Masahiro Tateishi is a professional artist who specializes in digital and traditional painting and illustration. He also does calligraphy, graphic design, and mural painting. He was born and raised in Sasebo, Japan, next to a beautiful mountain and waterway. He lives in Fukuoka, Japan. His website is: www.masaandpapa.com.
"Accompanied by golden-and sepia-toned depictions of early-20th-century life, Gong's text gives readers a glimpse into the lives of families who arrived in the United States during the gold rush. Little Ming feels like an outsider, ostracized at school for being Chinese yet wanting to take part in American traditions. Pop takes her to visit some old friends of his father's, and she listens to them tell stories about panning for gold, traveling the West, and surviving the San Francisco earthquake, always recovering from setbacks with resilience and strength. Afterward, Ming and Pop visit a sequoia grove where many immigrants before them escaped their troubles and connected with nature. Pop also has a compromise for Ming and her mother, a new Christmas tradition that does not forsake Mama's Chinese roots. Most illustrations depict beautiful landscapes and settings illustrated with intricate details and glowing warmth.
Gong's depiction of the long arc of a bittersweet history in the context of the strength of human character that readers will remember. A thoughtful take on Chinese American history that goes beyond the usual fare."
-- "Kirkus"