The co-op bookstore for avid readers
Book Cover for: Modernism: Evolution of an Idea, Sean Latham

Modernism: Evolution of an Idea

Sean Latham

What exactly is "modernism"? And how and why has its definition changed over time?

Modernism: Evolution of an Idea is the first book to trace the development of the term "modernism" from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as:

- The evolution of "modernism" from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg
- New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories
- The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more
- The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally

With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels

Book Details

  • Publisher: Bloomsbury Academic
  • Publish Date: Dec 3rd, 2015
  • Pages: 272
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.50in - 5.40in - 0.70in - 0.85lb
  • EAN: 9781472523778
  • Categories: Semiotics & Theory

About the Author

Latham, Sean: - Sean Latham is Pauline Walter Endowed Chair of English and Comparative Literature and director of the Oklahoma Center for the Humanities. He is editor of the James Joyce Quarterly, co-founder of the Modernist Journals Project. His teaching and research focuses on modernist studies, James Joyce, periodicals, media theory, and the digital humanities. He is the author or editor of nine books including "Am I a Snob?" Modernism and the Novel ( 2003), The Art of Scandal: Modernism, Libel Law, and the Roman à Clef (2009), and The Little Review Ulysses (2015).
Rogers, Gayle: - Gayle Rogers is Professor of English at the University of Pittsburgh, USA. He works primarily on global modernisms, literary history, translation, comparative literature, and periodicals. His publications include Incomparable Empires: Modernism and the Translation of Spanish and American Literature (2016), Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History (2012), and a number of works in PMLA, Modernism/Modernity, Comparative Literature, NOVEL, Journal of Modern Literature, James Joyce Quarterly, The Oxford Handbook of Global Modernisms, Journal of Modern Periodical Studies, Modern Fiction Studies, Revista de Estudios Orteguianos, and 100 Escritores del siglo XX.
Latham, Sean: - Sean Latham is Pauline Walter Endowed Chair of English and Comparative Literature and director of the Oklahoma Center for the Humanities. He is editor of the James Joyce Quarterly, co-founder of the Modernist Journals Project. His teaching and research focuses on modernist studies, James Joyce, periodicals, media theory, and the digital humanities. He is the author or editor of nine books including "Am I a Snob?" Modernism and the Novel ( 2003), The Art of Scandal: Modernism, Libel Law, and the Roman à Clef (2009), and The Little Review Ulysses (2015).

Praise for this book

Highly recommended. Lower-division undergraduates through faculty; general readers.
CHOICE
Sean Latham and Gayle Rogers offer a perfectly timed history ... that will be of immediate interest to anyone who studies modernism and twentieth-century literary history ... They offer a succinct, often fascinating account of how and why it has become impossible to offer a tidy definition of modernism ... The picture that emerges from Latham and Rogers's narrative is one of incredible complexity and variety ... With this condensed, lucid, compelling history, Latham and Rogers enable their readers ... to learn what has been accomplished in the last century of interrogating modernism and then discover what tasks remain. Because of the significant critical generosity that underwrites this study, we can conclude, with Pound, Latham, and Rogers, that there is still much to do.
James Joyce Quarterly
An ambitious project ... tracing the evolution of the term "modernism+? from a cultural buzzword to a consolidated ... signifier of a particular set of artistic conventions and works ... It would not be surprising to see this study on any modernist's bookshelf.
Make It New (The Ezra Pound Society)