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Book Cover for: Mornings Like This: Found Poems, Annie Dillard

Mornings Like This: Found Poems

Annie Dillard

"Found poems are to their poet what no-fault insurance is to beneficiaries: payoffs waiting to happen where everyone wins and no one is blamed. Dillard culls about 40 such happy accidents from sources as diverse as a The American Boys Handy Book (1882) and the letters of Van Gogh. . . . the poet aims for a lucky, loaded symbolism that catapults the reader into an epiphany never imagined by the original authors." -- Publishers Weekly

In Mornings Like This,
beloved author Annie Dillard has given us a witty and moving collection of
poems in a wholly original form, sure to charm her fans, both old and new.

Extracting and rearranging sentences from old and odd books--From D.C. Beard's "The American Boys Handy Book" in 1882 to Van Gogh's letters to David Greyson's "The Countryman's Year" in 1936--Dillard has composed poems on poetry's most
heartfelt themes of love, nature, nostalgia, and death. A unique, clever, and original collection, Dillard's characteristic
voice sounds throughout the pages.

Book Details

  • Publisher: Harper Perennial
  • Publish Date: Apr 26th, 1996
  • Pages: 96
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 9.30in - 5.50in - 0.27in - 0.28lb
  • EAN: 9780060927257
  • Categories: American - GeneralAnthologies (multiple authors)Women Authors

About the Author

Dillard, Annie: -

Annie Dillard is the Pulitzer Prize-winning author of Pilgrim at Tinker Creek, An American Childhood, The Writing Life, The Living and The Maytrees. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts.


Praise for this book

"Found poems are to their poet what no-fault insurance is to beneficiaries: payoffs waiting to happen where everyone wins and no one is blamed. Dillard culls about 40 such happy accidents from sources as diverse as a The American Boys Handy Book (1882) and the letters of Van Gogh. . . . the poet aims for a lucky, loaded symbolism that catapults the reader into an epiphany never imagined by the original authors." -- Publishers Weekly