"Sneering at the Luddites is still the order of the day. Peter Linebaugh's great act of historical imagination stops the scoffers in their tracks. It takes the cliche of 'globalization' and makes it live: the Yorkshire machine-breakers are put right back in the violent world economy of 1811-12, in touch with the Atlantic slave trade, Mediterranean agribusiness, the Tecumseh rebellion, the brutal racism of London dockland. The local and the global are once again shown to be inseparable--as they are, at present, for the machine-breakers of the new world crisis."
--T.J. Clark, author of The Absolute Bourgeois and Image of the People

"My benediction"
--E.J. Hobsbawm, author of Primitive Rebels and Captain Swing

"E.P. Thompson, you may rest now. Linebaugh restores the dignity of the despised luddites with a poetic grace worthy of the master. By a stunning piece of re-casting we see them here not as rebels against the future but among the avant-garde of a planetary resistance movement against capitalist enclosures in the long struggle for a different future. Byron, Shelley, listen up! Peter Linebaugh's Ned Ludd and Queen Mab does for 'technology' what his London Hanged did for 'crime.' Where was I that day in Bloomsbury when he delivered this commonist manifesto for the 21st century? The Retort Pamphet series is off to a brilliant start."
--Mike Davis, author of Planet of Slums and Buda's Wagon