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Book Cover for: Nomenclature: New and Collected Poems, Dionne Brand

Nomenclature: New and Collected Poems

Dionne Brand

Winner:L.A. Times Book Prize -Poetry (2022)

Spanning almost four decades, Dionne Brand's poetry has given rise to whole new grammars and vocabularies. With a profound alertness that is attuned to this world and open to some other, possibly future, time and place, Brand's ongoing labors of witness and imagination speak directly to where and how we live and reach beyond those worlds, their enclosures, and their violences.

Nomenclature: New and Collected Poems begins with a new long poem, the titular Nomenclature for the Time Being, in which Dionne Brand's diaspora consciousness dismantles our quotidian disasters. In addition to this searing new work, Nomenclature collects eight volumes of Brand's poetry published between 1982 and 2010 and includes a critical introduction by the literary scholar and theorist Christina Sharpe.

Nomenclature: New and Collected Poems features the searching and centering cantos of Primitive Offensive; the sharp musical conversations of Winter Epigrams and Epigrams to Ernesto Cardenal in Defense of Claudia; and the documentary losses of revolutions in Chronicles of the Hostile Sun, in which "The street was empty/with all of us standing there." No Language Is Neutral reads language, coloniality, and sexuality as a nexus. Land to Light On writes intimacies and disaffections with nation, while in thirsty a cold-eyed flâneur surveys the workings of the city. In Inventory, written during the Gulf Wars, the poet is "the wars' last and late night witness," her job is not to soothe but to "revise and revise this bristling list/hourly." Ossuaries' futurist speaker rounds out the collection and threads multiple temporal worlds--past, present, and future.

This masterwork displays Dionne Brand's ongoing body of thought--trenchant, lyrical, absonant, discordant, and meaning-making. Nomenclature: New and Collected Poems is classic and living, a record of one of the great writers of our age.

Book Details

  • Publisher: Duke University Press
  • Publish Date: Oct 18th, 2022
  • Pages: 672
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.27in - 6.30in - 1.65in - 1.95lb
  • EAN: 9781478016625
  • Categories: Women AuthorsCanadianAmerican - General

About the Author

Dionne Brand is the author of numerous volumes of fiction, poetry, and nonfiction. Her latest poetry collection, The Blue Clerk, also published by Duke University Press, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Award. Her other poetry collections have won the Griffin Poetry Prize, the Governor General's Literary Award, the Trillium Book Award, and the Pat Lowther Memorial Award. Brand's novel, Theory, won the 2019 OCM Bocas Prize for Fiction and the Toronto Book Award, and What We All Long For won the Toronto Book Award. Her works of nonfiction include Bread Out of Stone and A Map to the Door of No Return: Notes to Belonging. From 2009 to 2012 Brand served as Toronto's Poet Laureate. In 2021 Brand was awarded a Windham-Campbell Prize in Fiction. She lives in Toronto.

Christina Sharpe is Professor and Canada Research Chair in Black Studies in the Humanities at York University and author of In the Wake: On Blackness and Being, also published by Duke University Press.

More books by Dionne Brand

Book Cover for: Salvage: Readings from the Wreck, Dionne Brand
Book Cover for: A Map to the Door of No Return: Notes to Belonging, Dionne Brand
Book Cover for: At the Full and Change of the Moon, Dionne Brand
Book Cover for: The Blue Clerk: Ars Poetica in 59 Versos, Dionne Brand
Book Cover for: In Another Place, Not Here, Dionne Brand
Book Cover for: What We All Long for, Dionne Brand
Book Cover for: Earth Magic, Dionne Brand
Book Cover for: Luminous Ink: Writers on Writing in Canada, Dionne Brand
Book Cover for: Ossuaries, Dionne Brand
Book Cover for: Sans Souci, and Other Stories, Dionne Brand
Book Cover for: Fierce Departures: The Poetry of Dionne Brand, Dionne Brand
Book Cover for: Chronicles: Early Works, Dionne Brand
Book Cover for: An Autobiography of the Autobiography of Reading, Dionne Brand
Book Cover for: Laurier Poetry Pack #5, Dionne Brand

Praise for this book

"Through her storytelling and activism, Brand has always found ways to respond to and reflect the times. One thread remains clear in her work: Her commitment to Toronto is her commitment to people, histories, stories and the expressions of this place and beyond. The city might try to cling to the poet and all of her magnificence, but Dionne Brand is still imagining better worlds."--Huda Hassan "Chatelaine" (9/8/2022 12:00:00 AM)
"Taken together, these poems reflect the work of someone aching to find a place where 'to be awake is / more lovely than dreams.'"--Layla Benitez-James "Harriet" (10/17/2022 12:00:00 AM)
"Nomenclature is driven by sedate yet sparkling agonies that invent and occupy the limbo between blues spaciousness and frenzied free improvisation. . . . How does a black poet deliver her perspective ceremoniously, as stark ritual, without pandering to the expectation that she dress these deliveries up in myths and larger-than-life antics so that readers do not feel implicated by direct address? Brand shows us how by doing just that and whether or not the revolution she imagined comes, this is a revolutionary act, to not act but to be so precisely that each small degree of change rivets and ripples as a self-contained justice that needs no codifying in outside laws."--Harmony Holiday "4Columns" (10/21/2022 12:00:00 AM)
"This expansive collection brings together eight books of poetry written over four decades. It's a gripping catalogue of witness and a call to imagine a better world."--Michael Holtmann "Center for the Art of Translation" (12/13/2022 12:00:00 AM)
"Nomenclature . . . confirms that Brand has always been a meticulous but dynamic stylist for whom form is motivated by the desire to take 'history's pulse . . . with another hand'--to replace orthodox understandings of time and place with an art that speaks 'the whole immaculate language of the ravaged world.' . . . There is an uncensored quality to these poems, which often channel the exasperated momentum of someone eager to pull the wool off the reader's eyes."--Anahid Nersessian "New York Review of Books" (2/9/2023 12:00:00 AM)
"It is, believe you me, a goddamn treat. . . . Brand is one of our greatest living poets. In artistry she has scaled the heights of a Neruda or an Eliot. An insistence on witness and liberation for all is the spine of every book. She finds innovative and exemplary language for the most painful, quotidian, and visible parts of life and political structure. Let us give her her rightful flowers already."--Sarah Thankam Mathews "Lux" (6/20/2023 12:00:00 AM)