"Olmsted Trees, by the photographer Stanley Greenberg, celebrates bark that resembles barnacles, lizard skin or cooled lava . . . . Torqued trunks have knobs and cavities that evoke human eyes and animal snouts, while roots bulge like giant paws kneading the earth. The trees shrug off signs of human intervention, dwarfing fencing and playground equipment, and appearing unfazed by carvings of lovers' initials."-- "The New York Times"
"The combination of the black-and-white palette and the framing of the trees, many in close up, accentuate the bark, the knots, the growths, the branching and other characteristics of the oldest trees in Olmsted's parks in and beyond New York. Some of the trees are gnarly, almost like alien creatures rather than trees . . . . The photographs are beautiful . . . ."-- "A Weekly Dose of Architecture Books"
"Greenberg's 100 black-and-white photographs captured in 26 of Olmsted's city park projects portray elements that have only recently grown into their full expression, something the architect himself would not live to see."-- "Hyperallergic"
"From Olmsted's Central and Prospect Park designs in New York, to the Emerald Necklace in Boston, or park systems in Milwaukee, Chicago, and Louisville, Greenberg's body of work functions as both an homage to Olmsted and a message about the importance of caretaking the current fragile state of Earth's natural environment."-- "ArtDaily"