Reader Score
66%
66% of readers
recommend this book
Did she say, at the beginning, that it rained every day? She was wrong. She misspoke. She didn't mean it.... No. It did not rain every day. But it rained for a hundred days, that year, which was enough--more than enough, even.
In prose by turns haunting and crystalline, One Hundred Days of Rain enumerates an unnamed narrator's encounters with that most quotidian of subjects: rain. Mourning her recent disastrous breakup, the narrator must rebuild a life from the bottom up. As she wakes each day to encounter Vancouver's sky and city streets, the narrator notices that the rain, so apparently unchanging, is in fact kaleidoscopic. Her melancholic mood alike undergoes subtle variations that sometimes echo, sometimes contrast with her surroundings. Caught between the two poles of weather and mood, the narrator is not alone: whether riding the bus with her small child, searching for an apartment to rent, or merely calculating out the cost of meager lunches, the world forever intrudes, as both a comfort and a torment.
With elliptical prose reminiscent of Elizabeth Smart's beloved novel By Grand Central Station I Sat Down and Wept, One Hundred Days of Rain exposes the inner workings of a life that has come apart. Readers will engage with Brooks's poetic and playful constraint that unfolds chapter by chapter, where the narrator's compulsive cataloguing of rain's vicissitudes forms a kind of quiet meditation: an acknowledgement of the ongoing weight of sadness, the texture of it, and its composition--not only emotional weight, but also the weight of all the stupid little things a person deals with when they're rebuilding a life.
Book*hug Press is a radically optimistic independent literary publisher working at the forefront of contemporary book culture. https://t.co/Bj5yoCglin
Happy Book Birthday to Learned by @carellinb! This follow up to Brooks’s debut novel One Hundred Days of Rain experiments with poetry as prismatic memoir and means of encountering the fleshier side of life. Read more on the Book*hug Blog! https://t.co/brPZ9w1eFu
A quiet and meditative book that reads like a mystery: How do we find ourselves--sometimes simultaneously--moving both toward and away from the things that matter to us most?
- Johanna Skibsrud, 2010 Scotiabank Giller Prize Winner for The Sentimentalists
Is there a worse city in which to suffer a vindictive, litigated break up than unrelentingly sodden Vancouver? In these one hundred intimate chapters, Carellin Brooks has convinced me no. Her forbearing heroine bikes through torrents, dodges puddles, keeps moving through bitterness and weather. Nobody, not even the rain, has such nerve.
-Caroline Adderson, author of Ellen in Pieces
Carellin Brooks' marvellous and brooding novel, sparking after yet another downpour, offers a natural history of rain and breakups. Just as snow-bound cultures have numerous words for different kinds of snow, so the Vancouverite requires many words and varied descriptions for rain. The exquisite descriptions of internal and external tensions are what capture here, what pierce and press the reader forward, j-walking through the tumbling language of rain, dodging in and out of the doorways of these short, sharp, shocked chapters. Carellin Brooks offers a loud and persistent rejoinder to the idea of "the pathetic fallacy" the internal and external do coalesce, and they do so at the apex of the most precise and revealing sentences I have read in years.
- Stephen Collis
Reviews:
"...a memorably profound and stylish portrait of love's complications." - Publishers' Weekly
"...a story of struggle and resilience. It's a tale of one woman's journey to find her way after losing so much, to make a place in this world for her and her son." - Worn Pages and Ink
"In 100 brief and rain-drenched chapters Brooks maps the painful distance from hope (romantic whispers of future anniversaries) to despair (police sirens, lawyers, court dates, loneliness). Between the two states, there's lots of introspection pursuing the age-old question: How did things go so very wrong?" - Brett Josef Grubisic for Daily Xtra - -
"One hundred days of rain in all possible variety (this is Vancouver), side by side with equally subtle shifts in mood described in sparse, poetic prose. It's heavy material but, as with poetry, rewards contemplative reading in quick breaks." --The Globe and Mail
"That the world comes down on us if we make art of it or not is true. Rain as the agent of how much is beyond our control, thus this book opens into such questions as how to fully inhabit both loss and beauty and how to let the natural world save you. Brooks doesn't profess; she asks and observes." --Lambda Literary Review
"A truly snackable book... set in Vancouver, rain's epicentre, and the author uses the many forms of daily precipitation to mirror her deftly wrought tale of stress, heartache and rebirth." --Toronto Star
"Brooks describes a world either lost in or entirely made of rain. It's in these flashes of insight where she gets closest to revealing something essential: all this rain is simply the water we're all swimming in, whether or not we really notice it." --National Post
"A quiet and meditative book that reads like a mystery: How do we find ourselves--sometimes simultaneously--moving both toward and away from the things that matter to us most?" --Johanna Skibsrud, Scotiabank Giller Prize-winning author of The Sentimentalists
"Is there a worse city in which to suffer a vindictive, litigated break up than unrelentingly sodden Vancouver? In these one hundred intimate chapters, Carellin Brooks has convinced me no. Her forbearing heroine bikes through torrents, dodges puddles, keeps moving through bitterness and weather. Nobody, not even the rain, has such nerve." --Caroline Adderson, author of Ellen in Pieces