Fernanda Melchor explores violence and inequity in this brutal novel. She does it with dazzling technical prowess, a perfect pitch for orality, and a neurosurgeon's precision for cruelty. Paradais is a short inexorable descent into Hell.--Mariana Enriquez
With a nimble command of the novel's technical resources and an uncanny grasp of the irrational forces at work in society, the books navigate a reality riven by violence, race, class, and sex... In Melchor's world, there's no resisting the violence, much less hating it. All a novelist can do, she seems to suggest, is take a long, unsparing look at the hell that we've made.--Juan Gabriel Vásquez "The New Yorker"
Paradais is beautiful and terrible.--Marcus McGee "LARB"
Melchor's prose is singular, with its fair share of page-long sentences that travel from the deepest psychic corners of her characters to the broadest panoramas of Mexican life.--Leland Cheuk "National Public Radio"
Melchor's brilliant, sinewy, streetwise second novel turns on a couple of young men in a Mexican town whose lusts take a violent turn...Melchor's telling is psychologically revealing, finding ever deeper reservoirs of rage and dread in its characters.--Mark Athitakis "The Los Angeles Times"
Fernanda Melchor's Paradais is brutal poetry, distilled.-- "Literary Hub"
Paradais warns against considering any luxurious abode as "safe" when the mere existence of such enclaves intensifies the inequalities that will eventually lead to their own demise.-- "CrimeReads"