
Penned by one of America's best-known daily theatre critics and organized chronologically, this lively and readable book tells the story of Broadway's renaissance from the darkest days of the AIDS crisis, via the disaster that was Spiderman: Turn off the Dark through the unparalleled financial, artistic and political success of Lin-Manuel Miranda's Hamilton.
It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theatre thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation - only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say. Chris Jones was in the theatres when and where it mattered. He takes readers from the moment when Tony Kushner's angel crashed (quite literally) through the ceiling of prejudice and religious intolerance to the triumph of Hamilton, with the coda of the Broadway cast addressing a new Republican vice-president from the stage. That complex performance - at once indicative of the theatre's new clout and its inability to fully change American society for the better - is the final scene of the book."From Angels in America to Hamilton, so many Broadway shows have made important statements to their audiences, causing them to examine the reality of their lives. Chris Jones has written a wonderful history of that era that is extremely well-researched. His writing is lively and crisp, and his stories are well-told and entertaining. Anyone who loves theatre or cultural history or social commentary will love this book. This book deserves broad readership beyond those groups by anyone interested in our society today." - Manhattan Book Review
"There is much to be praised, and so often the details are beautifully stated in the author's clean, accessible voice ... Jones' prowess as a critic is on great display here; shows you've never seen come startlingly alive on the page, their essence boiled down, their heart and soul expertly explained. What shines through most is Jones as a giddy chronicler of ideas and a lover of the theater, eager to draw the line from his own knowledge of the art form to what is happening offstage." - Third Coast Review