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Book Cover for: Sestets, Charles Wright

Sestets

Charles Wright

Sestets is the nineteenth book from one of the country's most acclaimed poets, a masterpiece of formal rigor and a profound meditation on nature and mortality. It is yet another virtuosic showcase for Charles Wright's acclaimed descriptive powers, and also an inquiry into the nature of description itself, both seductive and dangerous: "a virtual world/ Unfit for the virtuous." Like his previous books, Sestets is seeded with the lyrics of old love songs and spirituals, and "there is always room to connect his highly polished poems to the world where most of us lead mundane lives" (Miami Herald). Soaring and earthy, lyrical and direct, Charles Wright is an American treasure, and his search for a truth that transcends change and death settles finally on the beauties of nature and language: "Time is a graceless enemy, but purls as it comes and goes."

Book Details

  • Publisher: Farrar, Strauss & Giroux-3pl
  • Publish Date: Mar 16th, 2010
  • Pages: 96
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.10in - 5.40in - 0.30in - 0.30lb
  • EAN: 9780374532147
  • Categories: American - General

About the Author

Wright, Charles: - Charles Wright is the United States Poet Laureate. His poetry collections include Country Music, Black Zodiac, Chickamauga, Bye-and-Bye: Selected Later Poems, Sestets, and Caribou. He is a winner of the Pulitzer Prize, the National Book Critics Circle Award, the National Book Award, the Griffin Poetry Prize, and the 2013 Bollingen Prize for American Poetry. Born in Pickwick Dam, Tennessee in 1935, he currently lives in Charlottesville, Virginia.

Praise for this book

"If Nature is a haunted house, as Emily Dickinson told us, and Art a house that tries to be haunted, then Wright has created in Littlefoot one of the most satisfyingly possessed landscapes of his career . . . Inside his lyric, there resides a world well beyond the ordinary . . . It is the heart and soul that he delivers so eloquently." --Thomas Curwen, The Los Angeles Times, on Littlefoot: