"[An] ebullient riff on Shakespeare... [a] blend of purposeful deja vu and Jewish fatalism...Jacobson's highflying wit is more Stoppardian than Shakespearean, even amid rom-com subplots and phallocentric jests equally well suited to Elizabethan drama as to the world of Judd Apatow."
-- The New York Times Book Review

"Jacobson... has delivered with authority and style... [a] deft artist firmly in control, offering witty twists to a play long experienced by many as a racial tragedy."
-- The Washington Post

"Sharply written, profoundly provocative."
--The Huffington Post

"The Shylock of the novel is ... a character in search of an author, or at least an author who will write him fully, fill in the blanks and give him a voice where once he was voiceless. And in Jacobson, after just over 400 years, he has found a mensch who has done--with considerable skill--exactly that."
-- The Daily Beast

"Stimulating... Jacobson is ideally suited to take on 'Merchant.'"
-- The Milwaukee Journal Sentinel

"It is delicious...Jacobson is one of our finest writers."
-- Forward

"A funny and insightful reimagining of The Merchant of Venice...Jacobson is uniquely qualified to take on The Merchant of Venice."
-- The Miami Herald

"A serious comic masterpiece."
-- The Spectator (UK)

"Supremely stylish, probing and unsettling...This Shylock is a sympathetic character... both savagely funny and intellectually searching, both wise and sophistical, intimate and coldly controlling... Jacobson's writing is virtuoso. He is a master of shifting tones, from the satirical to the serious. His prose has the sort of elastic precision you only get from a writer who is truly in command."
-- The Independent (UK)

"Jacobson takes the play's themes - justice, revenge, mercy, Jews and Christians, Jew-hatred, fathers and daughters - and works away at them with dark humour and rare intelligence... This is Jacobson at his best. There is no funnier writer in English today. Not just laugh-out-loud humour, though there is plenty of that, including wonderful jokes about circumcision and masturbation. But a sharp, biting humour, which stabs home in a single line... This is one of his best novels yet."
- Jewish Chronicle (UK)

"Part remake, part satire and part symposium, Jacobson's Merchant is less Shakespeare retold than Shakespeare reverse-engineered... in these juicy, intemperate, wisecracking squabbles, Jacobson really communicates with Shakespeare's play, teasing out the lacunae, quietly adjusting its emphases ... and making startlingly creative use of the centuries-old playscript."
--Daily Telegraph (UK)

"Jacobson, with glorious chutzpah, gives Shylock his Act V, and the end when it comes is extremely satisfying... Provocative, caustic and bold."
-- Financial Times (UK)

"Jacobson is a novelist of ideas... What is added to a great work in the rewriting? Do we need the argot of the 21st century because the original is now intimidatingly remote? [Shylock Is My Name] is a moving, disturbing and compelling riposte to the blithe resolution offered in the urtext."
-- Sydney Morning Herald (Australia)

"Jacobson treats Shylock less as a product of Shakespeare's culture and imagination than as a real historical figure emblematic of Jewish experience--an approach that gives the novel peculiar vigour."
- Prospect Magazine (UK)

"When Shylock and Strulovitch are swapping jokes, stories, and fears, the tale is energetic...a work that stands on its own."
- Publishers Weekly

"The Merchant is well-suited to Jacobson, a Philip Roth-like British writer known for his sterling prose and Jewish themes....full of the facile asides and riffs for which Jacobson has been praised." -- Kirkus