
Slim Confessions is an image-text about digital intimacy and visceral material. A work of "autotheory," the book lays in parallel the history of "slime" as a vehicle for horror and entertainment with personal encounters with quotidian slime in the human and animal worlds. At its center is a story of farm labor: A cold spring spent birthing sheep in northern Iceland interspersed with confessions about the author's sexual past. In the lineage of Dodie Bellamy's "Barf Manifesto," this is a book reveling in repulsion and attraction, a personal investigation of physical touch as approximated by visual media, a slow pour of parallel stories that chronicle a research trip gone awry.
Sarah Minor is a writer and interdisciplinary artist and the author of Slim Confessions: The Universe as a Spider or Spit, winner of the Noemi Press Book Award for Prose (2021), Bright Archive, a collection of visual essays (Rescue Press, 2020), and the chapbook The Persistence of The Bonyleg: Annotated, selected by Joseph Harrington (Essay Press, 2016). Her prose and visual poems appear in places like Gulf Coast, The Kenyon Review, The Columbia Review, and BRINK Magazine and have been collected in anthologies like Best American Experimental Writing, A Harp in the Stars, and Welcome to the Neighborhood.
Minor is the recipient of a Research Fellowship to Iceland from the American Scandinavian Foundation, a 2019 Ohio Arts Council Individual Excellence Award, and her essay "Something Clear" was awarded the 2018 Barthelme Prize in Short Prose. She has held fellowships to the Vermont Studio Center and the Hambidge Center for Creative Arts and was the 2018 Peter Taylor Fellow at the Kenyon Writer's Workshop.
Minor serves as curator of the visual essay series at Essay Daily and as the Video Essay and Cinepoetry Section Editor at TriQuarterly Review. She holds a PhD from Ohio University, an MFA from the University of Arizona, and is an Assistant Professor at the University of Iowa.