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Book Cover for: Songs She Wrote: Forty Hits by Pioneering Women of Popular Music, Michael G. Garber

Songs She Wrote: Forty Hits by Pioneering Women of Popular Music

Michael G. Garber

Women built the popular song industry of Tin Pan Alley, yet many of their stories have seldom been told. They blazed the trail for women in music today and set an inspiring example for generations to come.
Songs She Wrote celebrates women's contributions to popular music by looking at dozens of well-known songwriters, lyricists, and composers in the first half of the twentieth century like Billie Holiday, Peggy Lee, and Dorothy Parker and unearths more unknown women who made major contributions. Learn about Maria Grever ("What a Difference a Day Made") who was the first female Mexican to achieve international acclaim and the fascinating story of African American lyricist Lucy Fletcher ("Sugar Blues"), among many others. Women in the popular music business went through struggles different from their male colleagues, making their triumphs all the more impressive. Their combined sagas convey an epic about women in the world of American popular music.

Book Details

  • Publisher: Rowman & Littlefield Publishers
  • Publish Date: Mar 4th, 2025
  • Pages: 312
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 9.10in - 6.10in - 1.00in - 1.45lb
  • EAN: 9781538158654
  • Categories: Instruction & Study - AppreciationGenres & Styles - Folk & TraditionalWomen's Studies

About the Author

Oney, Tish: - Tish Oney has headlined with symphony orchestras, big bands, and jazz combos throughout the world and has recorded five albums as leader. Possessing a doctorate in jazz from University of Southern California, this internationally acclaimed jazz singer, musicologist, arranger, composer, and conductor has served several institutions as professor and visiting artist. She writes a column titled "Anatomy of a Standard" for All About Jazz and authored Peggy Lee: A Century of Song.
Garber, Michael G.: - Michael G. Garber is an internationally respected expert on Tin Pan Alley and the American musical on stage and screen. He was a research fellow of the University of Winchester and the University of London, Goldsmiths College. He is the author of My Melancholy Baby: The First Ballads of the Great American Songbook, 1902-1913.

Praise for this book

A compelling account of the contribution of female songwriters to the Great American Songbook. Michael Garber's book uncovers a hidden history with nuanced, sympathetic analysis of key composers & lyricists and their songs. Rich in detail, Garber's book gives the female songwriting pioneers of popular music the recognition they deserve.

--Lucy O'Brien, author of Lead Sister: The Story of Karen Carpenter

Michael Garber has compiled a fascinating history of woman songwriters. And there are more than you think! You may not know their names, but you know their songs. This remarkable book isn't just a list of songs and their histories--it's a celebration of songs that have lasted over a hundred years, and they are still as fresh as the day they were written.

--Ken Bloom, Grammy Award-winning theatre historian, playwright, director, record producer, and author

Songs She Wrote is a must-read for fans of the Great American Songbook. In this meticulously researched and fascinating book, Michael Garber gives long-overdue recognition to some of the unsung heroines of music who, against great odds, came up through the ranks of the male-dominated Tin Pan Alley. Stories of these trailblazing women and their songs are brought to life with vivid detail.

--Holly Foster Wells, Peggy Lee's granddaughter, president, Peggy Lee Associates, LLC

In this brilliantly researched and highly accessible book, Michael Garber reveals a previously unacknowledged, yet highly significant, musical genre: that of women songwriters of Tin Pan Alley. The importance and originality of Garber's work cannot be overstated, and whether the reader's focus is American popular music or women's studies or both, it cannot be recommended highly enough.

--Peter Muir, author of Long-Lost Blues: Popular Blues in America, 1850-1920