Gr 4-8-What would Huck Finn have to say about his creator? Burleigh and Blitt take an unusual perspective in this picture-book biography. In Huck's colloquial voice, a portrait of Twain emerges that is engaging, accessible, and highly original. From his boyhood on the Mississippi, through his riverboat days, his writing and public speaking careers, and his adult family life, the main points of the writer's life are covered. Blitt's humorous illustrations are a perfect match for the tall-tale-inspired text. Rendered in pen, ink, and watercolor, the caricature style suits both Huck's voice and Twain's life. The muted blues and browns of the palette have an old-fashioned quality that amplifies the 19th-century setting. The cover illustration, of Huck on a book "raft" paddling with a fountain pen, cleverly demonstrates the book's premise. Although children will be entertained by the account, the most enthusiastic audience may be students familiar with Twain's work. One does not need to know Huck's story to understand Twain's, but doing so will increase appreciation for the ingenious nature of this collaboration.-Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA

- School Library Journal March 1, 2011 STAR

Written by Robert Burleigh and illustrated by Barry Blitt

(Atheneum; ISBN: 9780689830419; March 2011; Spring catalog p. 27)

Hot on the heels of Susy Clemens, in Barbara Kerley's The Extraordinary Mark Twain (According to Susy), BCCB 3/10, comes a rival Mark Twain child biographer, of sorts--Huckleberry Finn himself. With Burleigh's, ahem, editorial assistance, Huck recreates his creator, one might say, in his own homespun voice: "Sam tried soldierin'. But it didn't take. There wasn't much sand in his craw for killin' people. And . . . he was very unfavorable to bein' killed hisself." Huck not only effectively and wittily conveys the basics of his literary father's life, but he also displays an excellent grasp of the critiques addressed to Twain's work by both contemporaries and later generations: "Before I came along, most folks wouldn't pay no attention to a story 'bout a no-account boy. . . . And they wouldn't like that my words ain't always presented in the King's English." Huck is assisted in his authorial debut by Barry Blitt, whose spidery line-and-watercolor paintings echo the fluid ink work of Robert Andrew Parker and the spot-on caricature of John Hendrix. Our "author" admits he "left a lot out," but he slyly puts responsibility for any of his work's shortcomings on Twain himself: "I coulda throwed more style into it, but I can't do that very handy, not being brought up to it." Fortunately, his editor supplies additional data in an appended note, and as to style--well, I reckon most kids'll think he done just fine.

--Bulletin of the Center for Children's Books, March 2011, *STAR