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Book Cover for: The Anxiety of Influence: A Theory of Poetry, 2nd Edition, Harold Bloom

The Anxiety of Influence: A Theory of Poetry, 2nd Edition

Harold Bloom

Harold Bloom's The Anxiety of Influence has cast its long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between precursors and the individual artist. His argument that all literary texts are a strong misreading of those that precede them had an enormous impact on the practice of criticism and post-structuralist literary theory. The book remains a central work of criticism for all students of literature. Written in a moving personal style, anchored by concrete examples, and memorable quotations, this second edition of Bloom's classic work maintains that the anxiety of influence cannot be evaded - neither by poets nor by responsible readers and critics. A new introduction, centering upon Shakespeare and Marlowe explains the genesis of Bloom's thinking, and the subsequent influence of the book on literary criticism of the past quarter of a century.

Book Details

  • Publisher: Oxford University Press
  • Publish Date: Apr 10th, 1997
  • Pages: 208
  • Language: English
  • Edition: undefined - 0002
  • Dimensions: 8.03in - 5.33in - 0.43in - 0.41lb
  • EAN: 9780195112214
  • Categories: PoetryGeneralSemiotics & Theory

About the Author

Harold Bloom is Sterling Professor of the Humanities at Yale University and Berg Professor of English at New York University. He is the author of numerous publications including A Map of Misreading, Yeats, The Book of J, The American Religion, The Western Canon, and Omens of the Millennium.

Praise for this book

From reviews of the first edition:
"Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review

"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review