This collection is the perfect introduction to one of the cornerstones of English literature. The General Prologue provides picturesque character sketches of the colorful band of pilgrims who gather at a London inn on their way to Canterbury. The nine tales chosen range from the noble Knight's story of rivalry in love to the boastful and hypocritical Pardoner's moral treatise, and from the exuberant Wife of Bath's Arthurian legend to the Miller's worldly, ribald farce. Incorporating every type of medieval narrative-bawdy anecdote, allegorical fable, and courtly romance-the tales selected here encompass the blend of universal human themes and individual personal detail that have enthralled readers for more than six hundred years.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In 1386 Chaucer was member of parliament for Kent, but in the same year he resigned his customs post, although in 1389 he was appointed Clerk of the King's Works (resigning in 1391). After finishing Troilus and his translation into English prose of Boethius' De consolatione philosophiae, Chaucer started his Legend of Good Women. In the 1390s he worked on his most ambitious project, The Canterbury Tales, which remained unfinished at his death. In 1399 Chaucer leased a house in the precincts of Westminster Abbey but died in 1400 and was buried in the Abbey.
Colin Wilcockson is Emeritus Fellow and Former Director of Studies in English and in Anglo-Saxon, Norse and Celtic, Pembroke College at the University of Cambridge.
"The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel's translation makes the stories even more inviting."--Wall Street Journal