
Reader Score
86%
86% of readers
recommend this book
This is not your mother's memoir. In "The Chronology of Water, " Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman's developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.
Lidia Yuknavitch is the National Bestselling author of four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction as well as the OBA Reader's Choice Award. She has also published a critical book on war and narrative, Allegories Of Violence (Routledge). The Misfit's Manifesto, a book based on her recent TED Talk, was published by TED Books in 2017. Verge, a collection of short fiction, was released in 2020. Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader's Choice. Her newest memoir, Reading the Waves, was published by Riverhead books in 2025.
She has also had writing appear in publications including Guernica Magazine, Ms., The Iowa Review, Zyzzyva, Another Chicago Magazine, The Sun, Exquisite Corpse, TANK, and in the anthologies Life As We Show It (City Lights), Wreckage of Reason (Spuytin Duyvil), Forms at War (FC2), Feminaissance (Les Figues Press), and Representing Bisexualities (SUNY), as well as online at The Rumpus.
She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online. She received her doctorate in Literature from the University of Oregon. She is a very good swimmer.
This isn't a memoir 'about' addiction, abuse, or love: it's a triumphantly unrelenting look at a life buoyed by the power of the written word.
PUBLISHERS WEEKLYI'm also convinced that this bold and highly unconventional book - hot, gritty, unrelenting in its push to dismantle the self and then, somehow, put the self back together again - gets not just under a reader's skin but seeps all the way into her bloodstream.
DEBRA GWARTNEY, THE OREGONIANChosen as one of the 100 Great Nonfiction Books must-read works of narrative nonfiction and journalism.
THE ELECTRIC TYPEWRITERSimply stated: She is important. Read. Her. Now.
MARGARET ELYSIA GARCIA, THE PLUMAS WEEKLYYuknavitch can write a really hot sex scene. It's super sexy, and it's never cheesy or over-the-top or too tame. It's perfect...Yuknavitch's memoir is one of the best books I've ever read.
CASEY REVIEWS, THE LESBRARYI find Yuknavitch's frankness about the emotional and physical experience of being a woman (in sex, in athletic competition, in childbirth) surprising. Not because it offends my sensibilities, but because it affirms them.
DANIELLE DEULEN, ESSAY DAILYThe Chronology of Water... has lately achieved cult status. Lidia Yuknavitch...imparts a visceral power to the experience of lust, a power unmatched in any recent account I can think of.
CLAIRE DEDERER, THE ATLANTICLidia Yuknavitch is my favorite new writer...It's so genius I'm not quite sure how she did it. The tone is a combination of high and low, with some of the writing literary and metaphorical, some conversational and shock-jockey, all of it fueled by rage and pain and love and art and transformation.
VALERIE STIVERS-ISAKOVA, HUFFINGTON POSTThis isn't for everyone. Some will read and be exasperated or disgusted or disbelieving. I get that. I get that chaos and promiscuity and addiction are ugly, messy, and life is too short to waste reading about someone else's tragedy and self-destructive behavior. But something about this story-the goddamn gorgeous language, the raw power of its brutality-gave me so much comfort and solace. In Yuknavitch's word embrace, I felt the magic of self-acceptance and self-love, and the crazy-wonderful beauty of life.
JULIE CHRISTINE JOHNSON, CHALK THE SUNYuknavitch has emerged as a trailblazing literary voice that spans genres and dives deep into themes of gender, sexuality, art, violence, and transcendence. Her work is a refreshing alternative to the hero's journey, offering instead what she calls the "misfit's journey."
SULEIKA JAOUARD, LENNY[The Chronology of Water] is about rage, ecstasy, abuse, appetite, bad decisions and grace. It is one of the most full-throated depictions of being a woman I have ever read.
SARAH HEPOLA Author of Blackout: Remembering the Things I Drank to Forget