Praise for The City Changes Its Face

"A portrait of a couple transitioning from a phase of uncomplicated romance to something darker and more profound." Washington Post

"McBride shares a common lineage with James Joyce and Samuel Beckett--not only as Irish writers but also as unrepentant experimenters with no respect for the sanctity of traditional syntax. In her hands, language is not a tidy vessel for information so much as it is a malleable substance." NPR

"Conclusively demonstrates why she is one of the most thrilling contemporary English-language writers." Boston Globe

"The style...like an emotional seismograph registers every nuance of fondness and fear." Wall Street Journal

"Readers will be swept along by this entrancing tale of love and its many challenges." Publishers Weekly

"McBride's incomparable writing style [is] rhythmic, muscular, spare, and altogether undefinable." Booklist

"Utterly riveting. I can't say enough about it. Highly recommend." Jennifer Haigh

"Lovers in London, but make it daringly modernist and inventive and odd." Lit Hub

"She belongs on the same continuum as Virginia Woolf in terms of how she experiments with form and how she develops consciousness." The New York Times

"One of our major novelists . . . the life here radiates through the pages and illuminates ours." Guardian

"Blazingly daring." James Wood, The New Yorker

"Nothing else feels so fresh, so radically new. Strange Hotel challenges and expands my sense of what art can do." Garth Greenwell

"A writer of remarkable power and originality." Times Literary Supplement

"Eimear McBride is that old-fashioned thing, a genius." Anne Enright, Guardian

"Her writing has such glorious cadence that it should be read aloud." The Times

"McBride is a writer with the courage to reinvent the sentence as she pleases, and the virtuosity required to pull it off." Literary Review

"A writer for whom language is an end not a means, a beginning not an end." Jeanette Winterson