"The Disappeared is a contemplation of horror, and a ferocious look at love. While all the 'nameless missing' of the Cambodian genocide gather around the characters like ghosts, the story also thrums with life, love, sensuality, tenderness and brutal pain. Echlin dares a hard look at the best and worst of humanity and pulls off this ambitious feat with elegance and heart."--Zoëeuml; Ferraris, author of Finding Nouf

"This book, which deals forthrightly with man's inhumanity to man, transcends its difficult subject matter by virtue of Echlin's brilliant and beautiful prose, which tenderizes everything that it touches. The Disappeared is a unique, powerful, quietly devastating book, and a true and important love story."--Peter Cameron, author of Someday This Pain Will Be Useful to You

"This is a powerful and affecting novel, one that's willing to consider the greatest devotion and the most terrible cruelty. At the center of The Disappeared is a truly penetrating and unforgettable understanding of the circumstances of genocide."--John Dalton, author of Heaven Lake

"The beautifully spare narrative is daringly imaginative in the details. . . . Echlin creates a sorrowfully compelling world . . . [in this] powerful, transcendent love story."--Publishers Weekly

"[A] poignant love story . . . Lush and poetic . . . The Disappeared is a passionate and emotionally wrenching novel that forces us to remember and provides witness to what was lost."--BookPage.com

"Sensual . . . Electrifying . . . [The Disappeared] is a miracle of economy whose short sentences and ellipses often draw on the powerful brevity of short-story technique. . . . The voice is singular and arresting. . . . [Written with] insidious urgency . . . [and] in an aroused but taut and plain prose that attaches the intensities of erotic love to the smell, sight, taste and touch of human suffering . . . Through [her] technical and stylistic virtuosity, allied with elliptical narrative brilliance, Echlin raises Anne's climactic ritual action to a level of tragic sublimity."--Stevie Davies, The Guardian (UK)

"Finely chiseled prose . . . Undeniably beautiful . . . [With] moments of genuine tension and power."--Tash Aw, Telegraph (UK)

"A dance of words . . . [full of] beauty, grace, sensuality and power. . . . In what is a seemingly impossible feat, the form is carved perfectly to the task--the book balances on the beauty. . . . Echlin is able, by imagination and art, to take the reader on a journey through eros and evil--a journey that travels into utter darkness but does not leave us in despair. . . . Echlin has wrought a work of singular beauty, a work which turns 'human cruelty' into the image of a particle of dust by a lover's cheek, into the rhythm of the sentences that carry knowledge of the world so all may witness."--The Chronicle Herald (Canada)

"Like her passionate narrator, Anne Greve