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Book Cover for: The Early Novels: Beautiful Mutants, Swallowing Geography, the Unloved, Deborah Levy

The Early Novels: Beautiful Mutants, Swallowing Geography, the Unloved

Deborah Levy

Beautiful Mutants, Deborah Levy's feverish allegory of a first novel, introduces a manipulative and magical Russian exile who summons forth a series of grotesques--among them the Poet, the Banker, and the Anorexic Anarchist. Levy explores the anxieties that pervaded the 1980s: exile and emigration, broken dreams, crazed greed and the first seeds of the global financial crisis, self-destructive desires, and the disintegration of culture.

In Swallowing Geography, J. K., like her namesake Jack Kerouac, is always on the road, traveling Europe with her typewriter in a pillowcase. She wanders, meeting friends and strangers, battling her raging mother, and taking in the world through her uniquely irreverent, ironic perspective. Levy blends fairytale with biting satire, pushing at the edges of reality and marveling at where the world collapses in on itself.

In The Unloved, a group of hedonistic tourists--from Algeria, England, Poland, Germany, Italy, France, and America--gathers to celebrate the holidays in a remote French château. Then a woman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death, however, proves to be more of an investigation into the nature of identity, love, insatiable rage, and sadistic desire.

Book Details

  • Publisher: Bloomsbury USA
  • Publish Date: May 9th, 2017
  • Pages: 400
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.00in - 5.50in - 1.20in - 0.88lb
  • EAN: 9781632869081
  • Categories: LiteraryPsychological

About the Author

Levy, Deborah: - Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, broadcast on the BBC, and widely translated. The author of highly praised novels, including The Man Who Saw Everything (longlisted for the Booker Prize), Hot Milk and Swimming Home (both Man Booker Prize finalists), The Unloved, and Billy and Girl, the acclaimed story collection Black Vodka, and two parts of her working autobiography, Things I Don't Want to Know and The Cost of Living, she lives in London. Levy is a Fellow of The Royal Society of Literature.

More books by Deborah Levy

Book Cover for: The Position of Spoons: And Other Intimacies, Deborah Levy
Book Cover for: August Blue, Deborah Levy
Book Cover for: The Cost of Living: A Working Autobiography, Deborah Levy
Book Cover for: Things I Don't Want to Know: On Writing, Deborah Levy
Book Cover for: Swimming Home, Deborah Levy
Book Cover for: Real Estate: A Living Autobiography, Deborah Levy
Book Cover for: The Man Who Saw Everything, Deborah Levy
Book Cover for: Azul de Agosto / August Blue, Deborah Levy
Book Cover for: Billy & Girl, Deborah Levy
Book Cover for: An Amorous Discourse in the Suburbs of Hell, Deborah Levy
Book Cover for: Deborah Levy: Plays 1: Pax/Clam/The B File/Pushing the Prince Into Denmark/Macbeth/False Memory/Honey Baby, Deborah Levy
Book Cover for: Hot Milk, Deborah Levy
Book Cover for: Beautiful Mutants and Swallowing Geography: Two Early Novels, Deborah Levy
Book Cover for: Black Vodka: Ten Stories, Deborah Levy
Book Cover for: Stardust Nation, Deborah Levy
Book Cover for: El Coste de Vivir: Autobiografía En Construcción / The Cost of Living: A Working Autobiography, Deborah Levy

Praise for this book

"Written during her transition from playwright to prose, Deborah Levy's early works conjure fractured and fluid worlds that are wholly immersive." - The Guardian

"[The] novels . . . glimmer with dazzling flashes of fantasy and surreality. These exercises in the literary avant-garde resonate with moving reflections on exile and alienation." - Publishers Weekly

"An immersive, empathy-inducing reading experience . . . Deborah Levy's earlier books are a sonorous, whimsical introduction to the immigrant experience in London." - Huffington Post

"[Levy's] prose veers from dreamlike reverie to bald aggression in the turn of a sentence, never resting . . . The macabre and the lyrical pile up and cry out with urgency . . . Allows for a deeper appreciation of Levy's distinctive sensibility." - KGB Bar Lit Magazine