
Reader Score
68%
68% of readers
recommend this book
Critic Reviews
Good
Based on 9 reviews on

A New York Times Book Review Editors' Choice
A WALL STREET JOURNAL AND VOGUE MOST ANTICIPATED BOOK OF 2020
"A triumph of tone and intelligence. Percy Q's perspective is skewed and searching at once, and through her eyes, we see afresh not only New York's post-9/11 landscape but also the world of art, and love, and the process of becoming." --Rivka Galchen, author of Atmospheric Disturbances
Percy is pregnant. She hasn't told a soul. Probably she should tell her husband--certainly she means to--but one night she wakes up to find she no longer recognizes him. Now, instead of sleeping, Percy is spending her nights taking walks through her neighborhood, all the while fretting over her marriage, her impending motherhood, and the sinister ways the city is changing.
"I was magnetized not just by a great story, but one that felt uncannily timely...Percy is forced to confront questions of identity and selfhood that feel both poignant and meta during a time of crisis." --Michael Baron, Literary Hub
"Stevens has combined the surreal with the actual to create a book painfully relevant to this new age of female testimony . . . A fantastic debut." --Noelle McManus, Women's Review of Books "Stevens' debut is a compelling and visually rich novel that explores alienation in all its forms. The book's poetic language and realistically absurd characters will keep readers intrigued until the final page." --Leah von Essen, Booklist "Finally a book that exposes how dull Occam's Razor has become after all these years. Adroitly crafted, The Exhibition of Persephone Q is a fun, urbane look at the faulty heuristics of perception and authenticity. Proof positive that in the age of Photoshop and Trumpian Denialism, the simplest explanation no longer applies." --Paul Beatty, author of The Sellout "An intimate and obsessive exploration of the act of seeing and the act of being seen. It's also a metaphysical detective story, an investigation of absence and voids, and a darkly comedic treatise on the art world and living in a series of apartments and rooms in New York . . . The Exhibition of Persephone Q mostly reminded me of taking a walk at night alongside a brilliant companion who has a keen mind, and an eye for absurdity." --Patty Yumi Cottrell, The Believer