One of i-D's Most Anticipated Books of 2024

"Savage, horrible and very funny. . . [A] posthumous novel which confronts race, sexuality and complicity." --i-D Magazine

"[Min's] sense of outrageous humor and scintillating prose are on fabulous display in her posthumously published second book. . . . Violently hilarious, racy . . . The final product is truly a labor of love and a joy to read." --San Francisco Chronicle

"Darkly funny, strangely poignant and sometimes startlingly vicious, The Fetishist is a wonderful novel from an author we lost too soon, and a sweeping yet intimate statement on the impacts of racism and sexism on Asian American women. . . . Captivating, hilariously twisted . . . simultaneously playful and powerful . . . This remarkably clever, wickedly incisive little book will keep you hanging on every word and leave you with questions you'll ponder for days." --BookPage

"Filled with grim humor, Min's novel is an engaging and thoughtful read. Those who enjoyed Charmaine Craig's My Nemesis and Elaine Hsieh Chou's Disorientation are likely to appreciate this final work from Min, which fully reflects her talents as a writer." --Library Journal

"[A] literary marvel. . . Min's focus is magnificently aimed at dissecting, confronting, and exposing the fetishization of Asian women, but she never loses sight of engaging, inventive, playful storytelling. Balancing biting humor, wrenching despair, and unexpected redemption, Min radiantly succeeds in delivering that promised (mostly, cautiously) happy ending. . . Impeccable, surprisingly humorous, utterly poignant." --Shelf Awareness

"[A] raucous, gorgeous, harrowing novel . . . Min's narration plays with the shapes, sounds, and anagrams of her words to give richness to the story, which bullets forth in theatrical fashion, distended with tension, until the final, exquisite burst. Though it's as fun as a blockbuster, it also offers the rich inner humanity only a novel can. Min's characters are flawed and lovable--even the villains. . . . A farce that deftly tackles shame, grief, parents, chronic illness, colonialism, and the hollowness of enmity in a systemically unjust world? Magic. Min's wit and wisdom live on." --Booklist (starred review)

"Sensitive and insightful, and its detangling of the knot that is racism, otherness, and desire is nothing short of expert. A tenderly told tale of the losses that wreck and redeem us." --Kirkus Reviews

"Spiky . . . Sets out to restore a sense of humanity to the women whose lives have been squeezed by stereotypes. . . . [A] technicolor, Tarantino-esque crime plot . . . Great fun." --Publishers Weekly

"Incandescent, astonishing, a miracle. I'm elated and deeply grateful this book exists." --R. O. Kwon, author of The Incendiaries

"The Fetishist is so reverent and so unruly, so delicate and so explosive, such a merge of chamber music with the mosh pit, so devastatingly sad and devastatingly funny and alive and generous with its abundance of life! I mourn Katherine Min, and am grateful this fiery novel of hers insisted its way out of Katherine's laptop and into the world. Hats off to Kayla Min Andrews for clearing the path." --Susan Choi, author of Trust Exercise

"The Fetishist is lit from the very first page with a wicked, crackling, hilarious intensity. The subject is provocative, the writing is flush with elegance and intelligence. I finished this book and immediately wanted to talk about it with someone. It's a fire-starter of a novel." --Jami Attenberg, author of The Middlesteins

"Fiercely intelligent, perfectly crafted, and brimming with wit, The Fetishist is a moving exploration of art, love, grief, and desire. Katherine Min's sentences will provoke you and wind their way around your heart." --Lisa Ko, author of The Leavers

"Blistering and brilliant, The Fetishist will move, anger, and make you wince with recognition. Katherine Min is a singular, wildly talented voice and this is a trailblazing novel which deserves widespread attention for its literary merits as well as the overdue conversations it will surely evoke. As incisive and topical on fetishization and intersectionality as Kiley Reid's Such a Fun Age and Raven Leilani's Luster." --Sharlene Teo, author of Ponti