
Critic Reviews
Great
Based on 5 reviews on

A LOCUS AWARD FINALIST FOR BEST NOVELLA
"Saad Z. Hossain continues to blow through the flimsy walls of genre like a whirlwind with The Gurkha and the Lord of Tuesday, sweeping science-fiction, fantasy, myth, and satire into the wildly imaginative vortex of his ever-expanding fictional universe of alternate djinn-history and futures. Hossain's wit and wry compassion create a vision of humanity's hurtling path through time and space as both farcical and epic, leaving a blazing trail of casualties and wonders."--Indra Das
Saad Z. Hossain writes in a niche genre of fantasy, science fiction and black comedy which, on the balance of it, very few people actually want to read. Practical evidence aside, he has powered on in this direction. He studied English Lit and Commerce at the University of Virginia, a combination of studies completely impractical in real life. Due to the stunning unpopularity of his writing he has been forced to work in various industries. This includes digging holes, making rope, throwing parties and failing to run a restaurant. Needless to say, working for a living is highly overrated. He lives in Dhaka, the most ridiculously crowded city in the world, teaming with humans, wildlife, and djinn.
His novels include Escape from Baghdad! and Djinn City. His short stories have appeared in anthologies A Djinn Falls in Love, The Best Science Fiction and Fantasy of the Year, Vol 12, and the Apex Book of World SF Vol 4."Hossain spins satire out of myth and science fiction in the near-future postapocalyptic paradise of Kathmandu. . . . Compact and quippy, this is a whirlwind story that cleverly blends genres and finds humor and pathos in human failure."--Publishers Weekly
"Saad Z. Hossain continues to blow through the flimsy walls of genre like a whirlwind with The Gurkha and the Lord of Tuesday, sweeping science-fiction, fantasy, myth, and satire into the wildly imaginative vortex of his ever-expanding fictional universe of alternate djinn-history and futures. Hossain's wit and wry compassion create a vision of humanity's hurtling path through time and space as both farcical and epic, leaving a blazing trail of casualties and wonders."--Indra Das