This book investigates how nature and history intertwined during the violent aftermath of the Latin American Wars of Independence. Synthesizing intellectual history and readings of textual production, The Literature of Catastrophe reimagines the emergence of the modern Latin American nation-states beyond the scope of the harmonious "foundational fictions" that marked the emergence of the nation as an organic community. Through a study of philosophical, literary and artistic representations of three catastrophic figures - earthquakes, volcanoes and epidemics - this book provides a critical model through which to refute these state-sponsored "happy narratives," proposing instead that the emergence of the modern state in Latin America was indeed a violent event whose aftershocks are still felt today.
Engaging a variety of sources and protagonists, from Simón Bolívar's manifestoes to Cesar Aira's use of landscape in his novels, from the revolutionary role mosquitoes had within the Haitian Revolution to the role AIDS played in the writing of Reinaldo Arenas' posthumous novel, Carlos Fonseca offers an original retelling of this foundational moment, recounting how history has become a site where the modern division between nature and culture collapses.
Carlos Fonseca was born in Costa Rica, grew up in Puerto Rico, and studied in the United States.
He was selected by the Hay Festival as part of the Bogotá39 group (2017), by Granta magazine as one of
its twenty-five best young Spanish-language writers (2021), and by the Encyclopaedia Britannica as one
of the twenty most promising writers in the world for its "Young Shapers of the Future" (2022). His
previous novels are Colonel Lágrimas and Natural History, both translated by Megan McDowell. His
work has been translated into more than ten languages. He is a fellow of Trinity College, Cambridge.