
Critic Reviews
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One of the New York Times 100 Notable Books of 2020! Featured on best of the year lists from Publishers Weekly and the Washington Post!
A comedic memoir about fandom, fame, and other embarrassments from the life of a New York Times bestseller What happens when a childhood hobby grows into a lifelong career? The Loneliness of the Long-Distance Cartoonist, Adrian Tomine's funniest and most revealing foray into autobiography, offers an array of unexpected answers. When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory. Tomine illustrates the amusing absurdities of how we choose to spend our time, all the while mining his conflicted relationship with comics and comics culture. But in between chaotic book tours, disastrous interviews, and cringe-inducing interactions with other artists, life happens: he fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. A richer emotional story emerges as his memories are delineated in excruciatingly hilarious detail. In a bold stylistic departure from his award-winning Killing and Dying, he distills his art to the loose, lively essentials of cartooning, each pen stroke economically imbued with human depth. Designed as a sketchbook complete with placeholder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.Adrian Tomine has gone from "the boy wonder of mini-comics" (per Daniel Clowes) to master of the form... The 26 vignettes here trace a lifetime of neuroses and humiliations [with] artful minimalism.--Ed Park, New York Times Book Review
What Tomine is exploring is the dichotomy between how we see ourselves and how we are (or are not) seen.... We are each alone in our heads. Yet the faith of memoir, or autofiction, is that this is what connects us: the expression of our humanity.--David Ulin, Los Angeles Times Tomine, now considered a master of the graphic novel form, returns in an autobiographical mode, in a book that lets vent the rage and fragility that are always just beneath the surface of his pristine drawings.