
In "The Mapmaker and His Woman," the mapmaker narrator travels, in a few short hours, to Budapest, Salamanca, Punta Cana and Dusseldorf, but always returns home to the woman he loves. In another poem, Harry Houdini's critics attempt to suppress his opinions and negate his magical powers. In "The Groundskeeper's Teenage Daughters," young girls speak out against their domineering, controlling father. A prize-winning poem features the haunting voice of the ghost of Marilyn Monroe, who talks about her image appearing in her favorite mirror and how it effects the men who see it. The poems take you to variety of unique places: to a small Mexican village in the Yucatan, to the treacherous Gulf waters between Cuba and Florida, to a traveling carnival, to Bob Dylan's north country back roads, to outer space, a million miles from earth, then back to the isolated county roads in the rural heartland. Many poems focus on personal experiences, including childhood incidents and relationships with mothers, fathers and lovers. One section of the book, entitled "Borders: In Some Other Country," throws a spotlight on political and social issues, with wry and poignant poems about the repression of free speech, the use of nuclear weapons, gender roles, and the prevalence of gun violence. Another section in the collection features characterizations of famous American icons such as Albert Einstein, Elvis Presley, Bob Dylan, James Dean, and the 19th century classic poet, Walt Whitman. These poems reverberate beyond the celebrities to make unique comments about American life and culture. Sometimes comic, sometimes poignant, the poems in The Mapmaker's Dream take you on journeys to places you never expected to go, and to characters you never dreamed you'd meet.
Lucky are the readers who get to experience the delights of another fine poetry collection by Bill Meissner. His fresh and imaginative poems wed narrative to a personal lyric voice, offering stories with glorious images and metaphors, as when an ocean wave "bows down and becomes / a wing of bright diamonds . . ." Meissner's generous vision takes in the mundane and the otherworldly, the tame and the madcap, writing not only about the labor of fathers, black ice on a rural road, and the pleasures of baseball, but also about carnivals, Barbie dolls, public figures, and champions of strange world records. Watch for interesting recurrences in this body of work, such as tributes to language itself, and to those people and experiences that drew the poet deeper into learning the right words and how to put them together to celebrate, chortle, grieve, exorcize, and express longing and love. In one of the poems, a permanent scar made by a pencil stab reminds us that "Words enter you when you least expect them, at that moment / when you're trying to catch something that's falling." We're grateful Meissner is a nimble catcher who paid close attention to life and language and who used his considerable talents to write these poems.
--Margaret Hasse, author of Between Us, Winner of the Midwest Book Award for Poetry
With a passion for narrative, Bill Meissner creates poems that, with the eye of a novelist and the ear of a poet, reveal a world of intricate relationships. A map-maker sees his wife in the cities and roads he delineates; while spinning out on the ice, a man reaches for his wife's hand and clasps it so tightly that "we memorize each other's fingerprints." We find Marilyn Monroe's ghost speaking out of a mirror, and teenage daughters straining to break free of stifling limitations. Each poem fleshes out longing, its many gradations and flavors, and it is soul-work at its best. The ending of the "Mapmaker and His Woman" hints at the essence of this fine collection: "Two people standing on uncharted ground, /staring at each other, their eyes understanding/that they are the shortest distance between two points."
--John Minczeski, author of A Letter to Serafin and Circle Routes.
The quiet intensity, and clear-eyed vision of The Mapmaker's Dream is evident not only in every poem, but in virtually every line. I marvel at Bill Meissner's technical finesse, as I do the heart and range of emotions that drives and graces this compelling and memorable new collection. There is no missing that he is an original and hugely talented writer.
--Jack Driscoll, author of four books of poetry and The Goat Fish and the Lover's Knot