"Extraordinary. . . . [A] magnificently hopeful novel." --The New York Times Book Review

"Captivating. . . . A fascinating exploration of urban despair, female depression and sexual awakening." --The Washington Post

"Brave and bold. . . . The range of Gaitskill's humanity is astonishing." --Los Angeles Times

"Gaitskill is such a preternaturally gifted writer that nearly every page of The Mare shimmers with exacting and sometimes hallucinatory observation." --The New York Times

"A raw, beautiful story about love and mutual delusion." --Maureen Corrigan, NPR

"[An] extraordinary artistic achievement. . . . Bracing in its rigorous truth-seeking, subtle and capacious in its moral vision, Gaitskill's work feels more real than real life and reading her leads to a place that feels like a sacred space." --The Boston Globe

"Remarkably tender. . . . A deeply affecting tribute to basic human connection." --Entertainment Weekly

"The Mare is indebted, in its narrative strategy, to As I Lay Dying, another novel that employs a host of recurring narrators to get at the tangled intricacies of family life. . . . [Velvet] is that most wonderful of fictional creations: a convincing child who manages to be a captivating and perceptive narrator." --The New Yorker

"[Gaitskill's] gift is to unfold emotions, no matter how petty or upsetting, and describe them with disarming patience. . . . The result often feels both primal and electric, something like a latter-day D. H. Lawrence." --Chicago Tribune

"Piercingly poignant. . . . Give[s] eloquent voice to the ineffable thoughts and feelings experienced across boundaries of age and race and class and gender--and even, in this case, species." --Minneapolis Star Tribune

"Poetic, uplifting." --San Francisco Chronicle

"Gaitskill is more than a gifted story-teller. She is an enchanter. . . . The power of [her] writing comes, in part, from her ability to evoke strong emotions without offering the resolutions readers have come to expect." --New Republic

"The Mare ripples with internal emotional movement, but it is also a physical novel. . . . Nothing stands still, not the horses, not the violent mother or the would-be mother, not the vicious jealous friends, not the boyfriend or husband, not the sky." --Cathleen Schine, The New York Review of Books

"The Mare is classic Gaitskill. . . . In [her] hands, even the most raw and fleeting moments drip with complexity." --Elle

"Gaitskill builds her story through rotating first-person narratives. . . . [Her] structure allows her to spotlight the limitations in every character's perspective while nevertheless fostering sympathy for each of them. And the voices ring true." --Milwaukee Journal Sentinel

"To know these characters and to judge this book, you have to read every word, and be ready to have your own prejudices challenged." --The Buffalo News

"I can think of no other living writer who so deftly feels into the corners of each of her characters' emotions." --Liz Cook, The Kansas City Star