Reader Score
78%
78% of readers
recommend this book
Critic Reviews
Good
Based on 16 reviews on
New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers--a housewife and a battle-hardened veteran--fight to protect those they love in The Mere Wife.
From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings--high and gabled--and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside--in lawns and on playgrounds--wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall's periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn't want Gren, didn't plan Gren, and doesn't know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana's and Willa's worlds collide.So: I loved The Mere Wife and I bet lots of other people will too . . . Everyone should read The Mere Wife. It's a wonderfully unexpected dark/funny/lyrical/angry retelling of Beowulf; what's not to like? --Emily Wilson, translator of The Odyssey
Smart, tough modern flip of Beowulf, told through Grendel's mother. --Margaret Atwood, author of The Handmaid's Tale Fan-fucking-tastic . . . this book! Oh, this book! It's brutal and beautiful and unflinching." --Justina Ireland, author of Feral Youth Headley's jabs at suburban smugness are fun . . . [and her] prose can be stark, lacerating, insightful . . . The role reversals Headley devises--and the way she adapts an ancient tale into a 21st-century struggle between haves and have-nots, brown-skinned and white, damaged and intact--are largely effective. --Michael Upchurch, The New York Times Book Review "The most surprising novel I've read this year. It's a bloody parody of suburban sanctimony and a feminist revision of macho heroism. In this brash appropriation of the Anglo-Saxon epic, Headley swoops from comedy to tragedy, from the drama of brunch to the horrors of war. --Ron Charles, The Washington Post "Spiky, arresting . . . The novel plays ingeniously with its ancient source."