
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years.
It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock's Talking in Tongues engages with the politics of feminism to explore issues of black women's identity in Britian and Jamaica. From the first decade of the twenty-first century the three plays include Roy Williams' seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah's National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage's terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain.
Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.
Mustapha Matura was born in Trinidad and came to England in 1961. His first full length play, As Time Goes By, was staged at the Traverse Theatre, Edinburgh and at the Royal Court, London. He won the Evening Standard's Most Promising Playwright Award in 1974 for Play Mas, which opened at the Royal Court and transferred to the West End. His other plays include Rum an' Coca Cola (Royal Court Theatre and off-Broadway, 1976); Another Tuesday and More, More (The Factory, London, 1978); A Dying Business (Riverside Studios, 1980); One Rule (Riverside Studios, 1981); Meetings ( New `York 1981 and Hampstead Theatre, London 1982)The Playboy of the West Indies (Oxford Playhouse, 1984, Tricycle Theatre, New York 1988 and produced for BBC television, 1985); Trinidad Sisters (Tricycle Theatre, 1988) and The Coup (Royal National Theatre, 1991).
He co-founded the Black Theatre Co-operative with the director Charlie Hanson in 1978 to stage the groundbreaking Welcome Home Jacko and subsequently to write the highly successful TV series No Problem!
Jackie Kay was born and brought up in Scotland. She is the author of - among other books - The Adoption Papers, which won the Forward Prize, Red Dust Road, winner of the Scottish Book of the Year Award, Trumpet, and the Costa-shortlisted
Fiere. She is Chancellor of the University of Salford and Professor of Creative Writing at Newcastle University. She has served as Scots Makar, the National Poet for Scotland, since March 2016.
Kwame Kwei-Armah is British actor, playwright, director, singer and broadcaster. In 2018 he was made Artistic Director of the Young Vic Theatre, where he has directed Twelfth Night and Tree.
From 2011 to 2018 he was the Artistic Director of Baltimore Center Stage where his directing credits include: Jazz, Marley, One Night in Miami, Amadeus, and Dance of the Holy Ghosts. As a playwright his credits include Tree (Manchester International Festival, Young Vic), One Love (Birmingham Repertory Theatre), Beneatha's Place (Baltimore Center Stage) Elmina's Kitchen, Fix Up, Statement of Regret (National Theatre) Let There Be Love and Seize the Day (Tricycle Theatre). Kwame was an Associate Director of the Donmar Warehouse and has served on the boards of the National Theatre, Tricycle Theatre, and Theatre Communications Group. He is Chair of the 2019 Bruntwood Prize for Playwriting, was Chancellor of the University of the Arts London from 2010 to 2015, and in 2012 was awarded an OBE for Services to Drama.