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The Origins of Dislike
In this wonderfully rich and diverse collection of essays, Amit Chaudhuri explores the way in which writers understand and promote their own work in antithesis to writers and movements that have gone before. Chaudhuri's criticism disproves and questions several assumptions that a serious and original artist cannot think critically in a way that matters; that criticism can't be imaginative, and creative work contain radical argumentation; that a writer reflecting on their own position and practice cannot be more than a testimony of their work, but open up how we think of literary history and reading. Illuminating new ways of thinking about Western and non-Western traditions, prejudices, and preconceptions, Chaudhuri shows us again that he takes nothing as a given: literary tradition, the prevalent definitions of writing and culture; and the way the market determines the way culture and language express themselves. He asks us to look again at what we mean by the modern, and how it might be possible to think of the literary today.
Book Details
- Publisher: Oxford University Press
- Publish Date: Sep 1st, 2018
- Pages: 348
- Language: English
- Edition: undefined - undefined
- Dimensions: 8.50in - 5.70in - 1.20in - 0.90lb
- EAN: 9780198793823
- Categories: • Modern - 21st Century• Essays• Books & Reading
About the Author
Amit Chaudhuri is the author of seven novels, the latest of which is Friend of My Youth. He is also a critic and a musician and composer. He is a Fellow of the Royal Society of Literature. Awards for his fiction include the Commonwealth Writers Prize, the Betty Trask Prize, the Encore Prize, the Los Angeles Times Book Prize for Fiction, and the Indian government's Sahitya Akademi Award. In 2013, he was awarded the first Infosys Prize in the Humanities for outstanding contribution to literary studies. He is Professor of Contemporary Literature at the University of East Anglia.
Praise for this book
"These essays testify to a formidable intelligence at work. Chaudhuri's engaging yet exacting reflections range widely across literature and the arts. Puncturing intellectual pieties and lazy thinking, they challenge us to rethink how art and the world connect." -- Rita Felski, William R. Kenan, Jr., Professor of English, University of Virginia