"Kraf's groovy, glimmering novel . . . deserves to be read--not for the nitty-gritty New York of it all but for her wry, confiding voice, which is funny, disarming and frequently ruthless."--The New York Times
I am glad I have the radiance. This time I am wiser. No one will know. . . . The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see--the lights are large orange flowers.
Ellen has two lives. A single artist living alone on New York's Upper West Side in the 1970s, she periodically descends into episodes of what she calls "radiances." While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, and liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda, and by the freedom that it gives her.
In what would turn out to be her final published work, Elaine Kraf tackles mental health and female agency in this utterly original, witty, and inventive novel. Provocative at the time of its publication in 1979 and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.
Sarah Weinman is an author and book critic.
I’d never read any of Elaine Kraf’s novels until late last month, after discovering her first two... And oh, how marvelous and weird and original they were! And then I got home and snagged a copy of this... and it’s clearly Kraf’s masterpiece, portraying madness in such a beautifully controlled manner.
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Paper Trail: @gilbertcruz is the next editor of @nytimesbooks; @lilyjmeyer considers the question of translation style for @astra_mag; the Summer Reading issue of @ArtinAmerica is out now; @hkatewilliams on Elaine Kraf's THE PRINCESS OF 72nd STREET (1979). https://bit.ly/3BrXXyf
writing for the new yorker, guardian, new statesman, granta, FT etc etc commissions: h.katewilliams@gmail.com
Making my @NewYorker debut today writing about Elaine Kraf, who wrote one of the best novels of the 70s – the frenetic, astonishing should-be-classic The Princess of 72nd Street – and then vanished completely from view. https://t.co/mrDRM5aFRe