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The Red Years of Cahiers du cinéma (1968-1973): 2-volume Set
These volumes give an overview of this period in the journal's history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts.
Book Details
- Publisher: Routledge
- Publish Date: Oct 25th, 2021
- Pages: 412
- Language: English
- Edition: undefined - undefined
- Dimensions: 9.21in - 6.14in - 0.94in - 1.66lb
- EAN: 9789463721011
- Categories: • Social History• Film - History & Criticism• Political Ideologies - Communism, Post-Communism & Socialism
About the Author
Fairfax, Daniel: - Daniel Fairfax is Assistant Professor of Film Studies at the Goethe-Universität Frankfurt and an editor of the online film journal Senses of Cinema.
Praise for this book
"Daniel Fairfax's book is an impressive work that casts new light on the history of Cahiers du cinéma. Thanks to exhaustive archival research, Fairfax re-establishes the coherent yet complex trajectory of the journal. It is an exemplary study: the outcome of true dedication, astute critical sensibility and a great passion for film."
- Francesco Casetti, Yale University "During its 'red years, ' the core contributors to Cahiers du cinéma rethought cinema in ways that have had lasting influence for contemporary film studies. This is an extraordinarily comprehensive work that not only yields a tremendous amount of information and theoretical nuance, but also offers new ways of understanding Cahiers in its Marxist phase."
- Philip Rosen, Brown University Listen to author Daniel Fairfax in conversation with Annie Berke, the Film Editor of the Los Angeles Review of Books, on the New Books in Film podcast: https: //open.spotify.com/episode/2yh5YCxk3ChglwhdSHZYZr
- Francesco Casetti, Yale University "During its 'red years, ' the core contributors to Cahiers du cinéma rethought cinema in ways that have had lasting influence for contemporary film studies. This is an extraordinarily comprehensive work that not only yields a tremendous amount of information and theoretical nuance, but also offers new ways of understanding Cahiers in its Marxist phase."
- Philip Rosen, Brown University Listen to author Daniel Fairfax in conversation with Annie Berke, the Film Editor of the Los Angeles Review of Books, on the New Books in Film podcast: https: //open.spotify.com/episode/2yh5YCxk3ChglwhdSHZYZr