The voice of the Italian novelist and essayist Natalia Ginzburg comes to us with absolute clarity amid the veils of time and language. Ginzburg gives us a new template for the female voice and an idea of what it might sound like. This voice emerges from her preoccupations and themes, whose specificity and universality she considers with a gravitas and authority that seem both familiar and entirely original.--Rachel Cusk
I'm utterly entranced by Ginzburg's style--her mysterious directness, her salutary ability to lay things bare that never feels contrived or cold, only necessary, honest, clear.--Maggie Nelson
Her prose style is deceptively simple and very complex. Its effect on the reader is both calming and thrilling--that's not so easy to do.--Deborah Levy
A bleak and smarting read, a remarkable debut.--Naomi Huffman "New York Times"
Ginzburg's view of family is so unsentimental, it's visionary...The Road may be a small story about a small place, but Ginzburg's clarity lends grandeur to Delia's plight.--Diane Josefowicz "Necessary Fiction"
The youngest of five, Ginzburg writes like someone used to being interrupted, precisely observing daily life with a sibling's affectionate revenge. Her work is marked by a kind of atmospheric pressure.--Jessi Jezewska Stevens "4Columns"
Ginzburg has an incredible talent for depicting explosive clashes within families, integrating insight and humour into her narrative...this lemon of a book invites one to take a bite, to relish the burn.--Catherine Xinxin Yu "Asymptote Journal"
A blister of violence lurks tense beneath the words, the skin of it wearing thin, ready to be popped.--Rhian Sasseen "LitHub"