Political poetry might bring to mind the activist tone of Denise Levertov or the cadenced rhetoric of Gil Scott-Heron. Nealon's version is a more playful and self-aware reverie, finding political unease in the passing thought.
--Johns Hopkins Magazine
Reading Nealon, one feels as though Homer has been reincarnated in sound bites, or as though Coleridge has succeeded in reviving the song of the damsel with her dulcimer, and we realize it is both as delightful and as laughable as we could have imagined. Nealon is both god and jester, beckoning us close even as he warns us to beware.
--The Volta