From best-selling Brazilian novelist Patrícia Melo comes a genre-defying tale of women in the Amazon and their reckoning with brutal oppression-by turns poetic, humorous, dark, and inspiring.
The Simple Art of Killing a Woman vividly conjures the epidemic of femicide in Brazil, the power women can hold in the face of overwhelming male violence, the resilience of community despite state-sponsored degradation, and the potential of the jungle to save us all.
To escape her newly aggressive lover, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about the rampant attacks on the region's women, which have grown so commonplace that the cases quickly fill her large notebook. What she finds in the jungle is not only persistent racism, patriarchy, and deforestation, but a deep longing for answers to her enigmatic past. Through the ritual use of ayahuasca, she meets a chorus of Icamiabas, warrior women bent on vengeance-and gradually, she recovers the details of her own mother's early death.
The Simple Art of Killing a Woman resists categorization: it is a series of prose poems lamenting the real-life women murdered by so many men in Brazil; a personal search for history, truth, and belonging; and a modern, exacting, and sometimes fantastical take on very old problems that, despite our better selves, dog us the world over.
Patrícia Melo was born in 1962 and is a highly regarded novelist, playwright and scriptwriter. She has been awarded a number of internationally renowned prizes, including the Jabuti Prize 2001, the German LiBeraturpreis 2013 and the German Crime Award 1998 and 2014; she was shortlisted for the Independent Foreign Fiction Prize, and Time Magazine included her among the Fifty Latin American Leaders of the New Millennium. She lives in Switzerland.
Sophie Lewis is a London-based translator and editor. Working from Portuguese and French, she has translated Natalia Borges Polesso, João Gilberto Noll, Victor Heringer, and Sheyla Smanioto; Stendhal, Jules Verne, Marcel Aymé, Violette Leduc, Leïla Slimani, Noémi Lefebvre, Mona Chollet, Josephine Baker, and Colette Fellous, among others. With Gitanjali Patel, she co-founded the Shadow Heroes translation workshops enterprise (www.shadowheroes.org). Lewis's translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. She was joint winner of the 2022 French-American Foundation prize for nonfiction translation for her work on anthropologist Nastassja Martin's book In the Eye of the Wild.
"Women rise defiant against misogynistic forces in the truth-filled novel The Simple Art of Killing a Woman. While the dead cannot be resurrected, lives might be spared with knowledge-and via feminist alliances." - Foreword Reviews, Starred Review
"Brazilian author Melo weaves together crime, magical realism, mythology, and social criticism in this relevant and urgent translation from the Portuguese by Lewis. Though the subject is horrifying, especially in the details about marred and dismembered victims, the narrator's voice is captivating and compelling, offering strength and purpose rather than despair." - Kirkus Reviews
"Melo's thoughtful first-person narrative and starkly powerful verse interwoven with reports of murdered women fluidly bears the weight of a gripping crime story and fearless social commentary." -Christine Tran, Booklist
"The Simple Art of Killing a Woman is a mixed-genre account of femicide in Brazil-and how this gender-based violence intersects with indigeneity, Blackness, and socio-racial legibility. . . . It bears bountiful witness through its repetition, not of metaphor but political statement, fact, and serious proclamation." - Kaitlan Bui, Public Books
"The Simple Art of Killing a Woman is an important book. . . . Even though the topic is gaining more attention, a lot of silence remains around the issue of femicide in Brazil. That silence can be dangerous for women. As such, the novel is a defiant work." - Alysson Casais, Full Stop
"Patrícia Melo explodes the boundaries between two worlds with energy and colour. The Simple Art of Killing a Woman vibrates with rage at femicide and glows with hallucinatory images of jaguars and Amazons." - Martina Läubli, New Journal of Zürich
"Melo's blackest novel to date and her best, a formal and stylistic high point in her work. The protagonist finds a way out of powerlessness into a self-determined life. 'Literature', says Melo, 'is a space for resistance', especially in dark times. It is again more necessary than ever." - Dagmar Kaindl, Buchkultur
"Melo, an accomplished noir crime novelist and screenwriter, has truly found her subject in The Simple Art of Killing a Woman. Through the lens of gender-based violence she is able to examine the inequity and corruption that undergird and reinforce it in Brazil, the country with the fifth-highest rate of femicide in the world." - Alejandra Oliva, Americas Quarterly
"Brazil has a problem with femicides. It often takes years for a court case to be initiated and a few years longer if the victim was poor, Black, or indigenous. Melo makes the fates of real victims visible in her latest novel. Her determination to pursue a certain style, the freedom with which she writes confidently around generic set pieces, is evident at first glance. . . . Melo puts words into a singing rhythm, arranges them in verse so that they unfold as poems." - Frankfurter Allgemeine Zeitung
"Patrícia Melo's novel is a powerful plea against male violence, not a diatribe but a brilliantly composed piece of literature." - Marcus Müntefering, Der Freitag
"Engaging and well-written, the book is the author's first to have a female protagonist. In addressing a sad reality, Melo has chosen to blend the plot with a little fable. The Simple Art of Killing a Woman is a work of fiction that depicts real-life events." - Ana Clara Brant, Jornal Estado de Minas
"Femicide is the subject of Patrícia Melo's excellent new book. . . . Based on real events in Cruzeiro do Sul, a lawyer investigates cases and hears testimonies of the tragic stories of wom