The Son follows one night in the life of a hero with no name, a writer whose life is on the verge of falling apart. One fateful afternoon, his wife leaves him and his long-term conflict with his father, who blames our hero for his mother's death, comes to a head. Incapable of finding inner calm-for our hero is a man who cannot seem to adapt to new times and rules-he steps into the warm Mediterranean night that has fallen in the city of Ulcinj, itself a multilayered mixture of European dimensions, African influences and the communist past.
On his journey into the night, the writer meets an assortment of characters: a piano student from Vienna who has abandoned his musical career and converted to Islam, a radical Christian preacher and a group of refugees from Kosovo. In the style of Mihail Bulgakov, the characters meet in the old city of Ulcinj at the dramatically named Square of the Slaves. It is here where, in times of old, the pirates who lived in the city until the nineteenth century would bring and sell captured slaves, amongst them Miguel de Cervantes. And it is here that the dénouement of this fascinating novel takes place.
'The blurb of Andrej Nikolaidis' The Son describes the novella as following "one night in the life of a hero with no name". It is perhaps more accurate to describe the narrator-cum-protagonist as an antihero, at times reminiscent of Patrick Bateman with his interest in serial killers and a fixation with creating soundtracks to moments in his life. However, it is arguably this that makes the book all the more triumphant; in spite of the narrator's scathing, snobbish views on humanity, we are compelled to read them.'
Debjani Biswas-Hawkes in The Literateur
''...makes Samuel Beckett look positively cheery; yet the relentless pessimism has an oddly invigorating effect.''
Five Star Review in The Independent