Between light and shadow, science and superstition, fear and knowledge is a dimension of imagination. An area we call the Twilight Zone.
Adapted by Anne Washburn (Mr Burns) and directed by Olivier Award-winner Richard Jones, this world premiere production of the acclaimed CBS Television Series The Twilight Zone lands on stage for the first time in its history. Or its present. Or its future. Stage magic and fantasy unite as the ordinary becomes extraordinary.Rod Serling (1924-1975) was born in Syracuse, N.Y. and grew up in Binghamton. While a student at Antioch College in Yellow Springs, Serling sold his first three national radio scripts - and even his first television script. From 1951-1955, more than 70 of his television scripts were produced, garnering both critical and public acclaim. Full-scale success came on Wednesday, January 12th, 1955 with the live airing of his first Kraft Television Theatre script Patterns. Deemed a "creative triumph" by critics, and the
winner of the first of Serling's six Emmy awards, the acclaimed production was actually remounted live to air a second time on February 9th, 1955 - an unprecedented event. Serling went on to work for CBS' illustrious Playhouse 90, for which he crafted 90 minute dramas including the multiple-Emmy Award-winning Requiem For A Heavyweight. Serling shocked many of his fans in 1957 when he left Playhouse 90 to create a science-fiction series he called The Twilight Zone. The show debuted in 1959 and CBS
would air 156 episodes of The Twilight Zone, an astonishing 92 of which were written by Serling over its five year run.
"The energy, ambition and attainment of this terrific adaptation of stories from the eponymous classic 1960s American television series... will delight fans of the original and welcome in newcomers too, which is no mean feat. Anne Washburn sinuously interweaves stories from eight original episodes... A classy Christmas - and, I suspect, far beyond - treat." --Evening Standard
"This isn't a show just for fans, but it definitely acknowledges them. It's a loving pastiche, fully alert to the swirl of cultural inheritances that come with the show and its era... a playfully great piece of theatre about the power of imagination: about how people use storytelling, particularly science fiction, to navigate new frontiers and question society. There's a good reason that theme tune lingers." --The Stage "A glorious exercise in sci-fi kitsch with a few smart lessons about the present... the real knockout scene is a reworking of 1961's 'The Bunker... basically the current battle or the soul of America distilled into a bleakly comic 15-minute playlet." --Time Out "Unsettling, dazzling and sophisticated entertainment... accomplished with enormous flair. It is sometimes frightening, sometimes spooky and occasionally funny. The famous music may not make its appearance until right at the end, but the atmosphere and flavour of this cult TV show is precisely captured. Terrific." --WhatsOnStage