Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
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"𝘐𝘧 𝘐 𝘢𝘮 𝘢𝘯 𝘢𝘯𝘨𝘦𝘭, 𝘱𝘢𝘪𝘯𝘵 𝘮𝘦 𝘸𝘪𝘵𝘩 𝘣𝘭𝘢𝘤𝘬 𝘸𝘪𝘯𝘨𝘴."― Anne Rice, The Vampire Armand https://t.co/dpB9qBNvve
"ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES."
--Library Journal
"ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan, ' living under the Paris cemeteries and founding the Grand Guignol-ish Théâtre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor."
--The Washington Post
"A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING."
--Booklist