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The White Image in the Black Mind: African-American Ideas about White People, 1830-1925
How did African-American slaves view their white masters? As demons, deities or another race entirely? When nineteenth-century white Americans proclaimed their innate superiority, did blacks agree? If not, why not? How did blacks assess the status of the white race? Mia Bay traces African-American perceptions of whites between 1830 and 1925 to depict America's shifting attitudes about race in a period that saw slavery, emancipation, Reconstruction, and urban migration. Much has been written about how the whites of this time viewed blacks, and about how blacks viewed themselves. By contrast, the ways in which blacks saw whites have remained a historical and intellectual mystery. Reversing the focus of such fundamental studies as George Fredrickson's The Black Image in the White Mind, Bay investigates this mystery. In doing so, she uncovers and elucidates the racial thought of a wide range of nineteenth-century African-Americans--educated and unlettered, male and female, free and enslaved.
Book Details
- Publisher: Oxford University Press
- Publish Date: Feb 10th, 2000
- Pages: 296
- Language: English
- Edition: undefined - undefined
- Dimensions: 9.27in - 6.14in - 0.78in - 0.94lb
- EAN: 9780195132793
- Categories: • Minority Studies• Cultural & Ethnic Studies - American - African American & Bl• United States - 19th Century
About the Author
Mia Bay is Assistant Professor of History and Co-Director of the Center for Historical Analysis at Rutgers University.
Praise for this book
"With a title that makes an unveiled reference to George Frederickson's classic The Black Image in the White Mind (1971), this study takes a long overdue look at the other side of the coin...Bay explicitily addresses issues of methodology and sources in this carefully considered, thorough volume...Throughout, she demonstrates that, with a keen eye, a historian may learn much about the opinions of the unlettered. A worthy successor to earlier work on racial ideology, this book fills a major gap in the scholarship."--Library Journal"[Bay] explores the time-centered context that shaped the images slaves and freedmen formed of white people in the period before and following emancipation...An excellent work that relates the roots of race-centered ideology to their past precedents."--Booklist"While many scholars have devoted a considerable amount of attention to the image of Black people in Western culture, very few have thought it important to examine the role that images of white people played in the Black cultural imagination. Mia Bay has done just this in this subtle and elegant study, a truly germinal contribution to American historiography."--Henry Louis Gates, Jr., Director of the W.E.B. Du Bois Institute for African American Research, Harvard University"By revealing for the first time what blacks thought about whites in the era of slavery and segregation, this incisive work adds a whole new dimension to our understanding of black-white relations in American history. It is deeply researched, astute in its interpretation, and very readable."--George M. Fredrickson, Stanford University"A meticulous and imaginative reconstruction of compelling chapters in African American cultural and intellectual history. Bay is equally at home in probing the responses of Black intellectuals to racist ethnology and in mining slave narratives for evidence of the complex views of white people developed by those for whom whiteness was most acutely experienced as a problem in everyday life."--David Roediger, University of Minnesota"[Bay] addresses an important question about black thought, in the past and in the present. Why have so many black thinkers readily embraced notions of racial difference, when such ideas were not only the mainstay of white supremacy, but also philosophically damaging to the cause of equality?"--The New Republic"A detailed and often insightful analysis of American racial thought."--Journal of American Ethnic History"Trenchant and insightful...[An] exhaustive documentary survey."--Journal of Southern History"Deeply researched, well crafted, and engagingly written work. It will long be considered important for broaching issues of central concern to all who study the black past."--Reviews in American History