In gorgeous and emotional prose, Jaquira Díaz tells a profoundly moving story of one unforgettable family. and Growing up in Puerto Rico, Maricarmen works hard, getting good grades, and cleaning houses after school. She dreams of becoming a singer. When she meets Rey, a young Black musician, she falls in love with his dynamism and his voice. But when her mother discovers their relationship, the course of Maricarmen's life is changed forever. During the rise of the drug crisis sweeping their tight-knit community, Maricarmen fights to make a home for herself, for Rey, for Rey's young brother Tito, and eventually, for her daughter Nena.
Fifteen years later, Maricarmen and Nena find themselves in the middle of a murder investigation, as the community that had once rallied to support Rey turns against them. Encumbered by loss and betrayal, and reckoning with her burgeoning sexuality, Nena must learn to navigate the world on her own, to fight for herself and her family. An immersive and propulsive exploration of generational grief and the legacy of colonialism, This Is the Only Kingdom is a searing and moving portrait of a family torn apart, determined to find their way back.
The recipient of the Jeanne Córdova Prize for Lesbian/Queer Nonfiction, the Alonzo Davis Fellowship from VCCA, two Pushcart Prizes, an Elizabeth George Foundation grant, and fellowships from MacDowell, the Kenyon Review, Bread Loaf, Sewanee, the Wisconsin Institute for Creative Writing, and the Black Mountain Institute at UNLV, Díaz has written for The Atlantic, The Guardian, Time Magazine, T: The New York Times Style Magazine, Condé Nast Traveler, and The Fader, and her stories, poems, and essays have been anthologized in The Best American Essays, The Breakbeat Poets Vol. 4: LatiNext, Best American Experimental Writing, and The Pushcart Prize anthology. In 2022, she held the Mina Hohenberg Darden Chair in Creative Writing at Old Dominion University's MFA program and a Pabst Endowed Chair for Master Writers at the Atlantic Center for the Arts. She lives in New York with her spouse, the writer Lars Horn, and teaches at Columbia University.
"A skilled writer, Díaz is meticulous in her craft, and on page after page her writing truly sings . . . This brutally honest coming-of-age story is a painful yet illuminating memoir, a testament to resilience."
--New York Times Book Review
"Incredible . . . Beautiful . . . Gorgeous and propulsive prose."
--NBC / Today (Isaac Fitzgerald)
"Outstanding. A powerful and lyrical coming-of-age story, Ordinary Girls is a candid illustration of shame, despair and violence as well as joy and triumph. Against a Puerto Rican backdrop, this debut is compassionate, brave and forgiving."
--Ms. Magazine