Reader Score
84%
84% of readers
recommend this book
Critic Reviews
Great
Based on 5 reviews on
19th Poet Laureate of the United States
"A powerful, beautifully crafted book."--The Washington Post
"Ripe with the perfidies and paradoxes of thralldom both personal and public, it is utterly elegant."--Elle
Charting the intersections of public and personal history, Thrall explores the historical, cultural, and social forces that determine the roles to which a mixed-race daughter and her white father are consigned. In a brilliant series of poems about the taxonomies of mixed unions, Natasha Trethewey creates a fluent and vivid backdrop to her own familial predicament. While tropes about captivity, bondage, knowledge, and enthrallment permeate the collection, Trethewey unflinchingly examines our shared past by reflecting on her history of small estrangements and by confronting the complexities of race and the deeply ingrained and unexamined notions of racial difference in America.
"Natasha Trethewey's Thrall is simply the finest work of her already distinguished career . . . Rarely has any poetic intersection of cultural and personal histories felt more inevitable, more painful, or profound." --David St. John, author of The Face: A Novella in Verse
"A voice that not only expands the position of [poetry], but helps us better understand ourselves. Her poems tell stories of loss and reckoning, both personal and historical." --Dr. James Billington, Librarian of Congress
Natasha Trethewey is a former US poet laureate and the author of five collections of poetry, as well as a book of creative nonfiction. She is currently the Board of Trustees Professor of English at Northwestern University. In 2007 she won the Pulitzer Prize in Poetry for her collection Native Guard.
Richie Hofmann is a poet.
@Dalai_Mama_ Some other contemporary poems I use to try to illustrate this: Rosanna Warren’s “Moment” and Natasha Trethewey’s “Limen”
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Natasha Trethewey has plenty of accolades under her belt. Mississippi Poet Laureate, US Poet Laureate, Pulitzer Prize winner...if you're looking for a book of poetry to #ReadWithMLC, check out one of hers! We're featuring 'Thrall,' published in 2012. #MSLibraries #BookTwitter https://t.co/UL6nLAXC4V
poet & literary scholar, people-oriented introvert, optimist of the will
Do I have to start? Okay, I’d nominate either Natasha Trethewey (I associate her Hurricane Katrina poems with fall) or Julie Patton (who has made poems/installations with actual browning leaves.
Nominated for NAACP Image Award Los Angeles Time Holiday Books Guide, Poetry Goodreads Choice Awards 2012 Finalist, Best Poetry Finalist, 2013 Southern Independent Booksellers Alliance (SIBA) Book Award Finalist, 2013 Paterson Poetry Prize Finalist, 2013 Phillis Wheatley Book Award, Poetry "In poems that again exhibit her gift for finding in microcosmic form the specter of societal relations, Trethewey makes explicit historically ignored ideas that underlie (a very literal) enlightenment."--Booklist "Thrall's poems draw on Mexico's casta aintings, which were created to catalog the mixed-blood peoples living there under colonial Spanice rule...on a subject ripe with the perfidies and paradoxes of thralldom both personal and public, it is utterly elegant." --Elle Magazine "[Trethewey's poems] dig beneath the surface of history--personal or communal, from childhood or from a century ago--to explore the human struggles that we all face." --James H. Billington, Librarian of Congress "Natasha Trethewey's Thrall is simply the finest work of her already distinguished career. This remarkable collection carries the reader from troubling ekphrastic reflections upon colonial depictions of mixed race--meditations of superbly nuanced cultural and historical resonance--to a stunningly personal album of self-portraits of the poet with her father. Rarely has any poetic intersection of cultural and personal histories felt more inevitable, more painful, or profound." --David St. John "In poems of exquisite tact and clarity, Natasha Trethewey confronts the excruciating differentials of racial mapping and the will-to-knowledge such mapping represents. Through the serial shocks of historical and personal discovery, through meticulous inventories of human division and turnings-aside, above all through "the dark amendment" of acknowledged bonds--the "Thrall" of her title--these poems probe the very foundations of reciprocal understanding." --Linda Gregerson --