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Book Cover for: Tone, Sofia Samatar

Tone

Sofia Samatar

Tone is a collaborative study of literary tone, a notoriously challenging and slippery topic for criticism. Both granular and global, infusing a text with feeling, tone is so difficult to pin down that responses to it often take the vague form of "I know it when I see it."

In Tone, a cooperative authorial voice under the name of the Committee to Investigate Atmosphere begins from the premise that tone is relational, belonging to shared experience rather than a single author, and should be approached through a communal practice. In partnership, the Committee explores the atmospheres emanating from texts by Nella Larsen, W. G. Sebald, Heike Geissler, Hiroko Oyamada, Mieko Kanai, Bhanu Kapil, Franz Kafka, Renee Gladman, and others, attending to the chafing of political irritation, the hunger of precarious and temporary work, and the lonely delights of urban and suburban walks.

This study treats a variety of questions: How is tone filtered through translation? Can a text hold the feelings that pass between humans and animals? What can attention to literary tone reveal about shared spaces such as factories, universities, and streets and the clashes and connections that happen there? Searching and conversational, Tone seeks immersion in literary affect to convey the experience of reading--and living--together.

Book Details

  • Publisher: Columbia University Press
  • Publish Date: Nov 21st, 2023
  • Pages: 144
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.50in - 5.40in - 1.20in - 0.45lb
  • EAN: 9780231211215
  • Categories: • Semiotics & Theory• Books & Reading• Modern - General

About the Author

Sofia Samatar is the author of five books, most recently the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works include the World Fantasy Award-winning A Stranger in Olondria and Monster Portraits, a collaboration with her brother, the artist Del Samatar. A scholar of Afrofuturism and modern Arabic literature of Africa, she teaches at James Madison University.

Kate Zambreno is the author of nine books, including The Light Room, a meditation on art and care, for which she was awarded a Guggenheim nonfiction fellowship in 2021. She is the Strachan Donnelley Chair in Environmental Writing at Sarah Lawrence College and also teaches in the graduate nonfiction program at Columbia University.

More books by Sofia Samatar

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Book Cover for: Opacities: On Writing and the Writing Life, Sofia Samatar
Book Cover for: Monster Portraits, Sofia Samatar
Book Cover for: A Stranger in Olondria, Sofia Samatar
Book Cover for: The White Mosque: A Memoir, Sofia Samatar
Book Cover for: Tender, Sofia Samatar
Book Cover for: The Winged Histories, Sofia Samatar
Book Cover for: Tone, Sofia Samatar

Praise for this book

In this subtle, haunting study, "the Committee" investigates what it means to write both of and on the cloud. Sofia Samatar and Kate Zambreno gave themselves over to the nebulous space of a collective reading and writing practice, seeking neither plot nor character, but rather that most indefinable of literary qualities: tone. Joining them there is eerily calming: "Someone else has entered the chat. And so here we are." After three years of constant, anxious reminders that we are breathing each other's air, try as we might to remain particular, there is something immensely gratifying about surrendering to this pronoun of our plural, historical intimacy.--Barbara Browning, author of The Gift and The Miniaturists
A "Most Anticipated" Book of 2023-- "The Millions"
A lyrical, erudite meditation.-- "Kirkus Reviews"
Just as the world laments the apparent lack of insightful literary criticism as well as the dwindling number of venues that support it, here comes the dazzling Committee to Investigate Atmosphere with a piece of criticism like no other. Writing collaboratively and in luscious, piercing dialogue with students and peers, Kate Zambreno and Sofia Samatar set out to interrogate the question of tone from every angle imaginable: what it is or might be, how it wraps around the human and non-human, how it affects work and space, rooting readers in territories through specific prepositions; why it has proclivity for windows and community. Reading thickly and in context a to-die-for selection of contemporary creative and theoretical works--including, lo and behold, texts in translation--the Committee reminds us that often we read books less for plot, character or setting, and more for the quality of atmosphere, seeking--quite simply and quite momentously--to "breathe that air again."--Cristina Rivera Garza, author of Grieving and The Taiga Syndrome
An insightful, playful, and unique book of creative criticism . . . Tone is a beautiful book of conjecture: a fine, long essay in the tradition of William Gass's On Being Blue.--Nick Ripatrazone "Image Journal"
[This] book will be a vital resource for imagining the future of creative work in the 21st century.--Safa Khatib "The Markaz Review"
This book is a gorgeous inventory of baroque intensities, spooked consciousnesses, vibrational affectivities, and shifting moods--written in and through precarity's duration. The Committee has convened to remind us, in shimmering and intricate prose, that all thinking is collective thinking. In the doorway of thought: a 'we' steps into the weather of literature.--Jackie Wang, author of Carceral Capitalism and The Sunflower Cast a Spell to Save Us from the Void