"Engaging... It combines a blow-by-blow account of the thriller's troubled production with a thoughtful rebuttal to Paul Schrader's description of it as "film noir's epitaph", while Orson Welles' shadow inevitably looms large." --Total Film
""[The] BFI Film Classics... make a welcome return with Richard Deming's excellent study of A Touch of Evil. Orson Welles's 1958 noir is justly celebrated by film aficionados, though its meandering plot has puzzled many viewers. Deming's book is a fine guide for the perplexed" --The Best American Poetry blog
"In this contribution to the BFI Film Classics series, Richard Deming explores what makes Touch of Evil so intricate and so knowing as a parable of idealism dying many deaths... Deming ably conveys just how visceral the film is." --Times Literary Supplement