Henderson, P. L.: - P.L. Henderson was born in the North of England and in her early career entered the field of environmental work. Her skills in music also led to involvement in the creation of music workshops aimed at empowering girls in economically deprived areas. A personal interest in drawing and also cultural histories, during the years bringing up her son, led to a period of part-time study culminating in gaining a BA in Art History through the Open University. Inspired by feminist art theorist pioneers, P.L. Henderson began an investigation of often invisible women artists, which resulted in the creation of the successful and necessary social media project @womensart1 to platform their work.

Presently living in Lisbon, Portugal with her partner whilst working as a freelance writer, she regularly contributes to publications such as 'Resurgence & Ecologist' magazine, 'Art UK' and 'Culture Matters' on topics of art, ecology and social justice. Whilst having a case study published in the book 'Feminism and Museums, Intervention, Disruption and Change' (2017), she was also one of the writing team for Phaidon's book 'Great Women Artists' (2019). She is creator/curator of #WOMENSART, see https: //womensartblog.wordpress.com.

Romeo, Rachelle: - Rachelle Romeo is an Artist, who was raised and currently lives in North London, inspired by her experiences, social interactions, and surroundings.

Rachelle expresses her opinions and thoughts through the mediums of embroidery and other various artistic processes including print and paint. She hopes to share her vision with the viewer, hoping to create an emotional connection between her and them.

"I guess its because it's lonely thinking you are the only one in the world that thinks these things or has these experiences..."

Rachelle graduated in 2013 from the University of East London.

Kaur, Permindar: - "Permindar Kaur's artistic practice extends over more than three decades during which time she has become one of Britain's most innovative artists. Known as much for her deft manipulation of materials including glass, metal, and fabric, as for her evocative exploration of home, childhood, memory and cultural identity, Kaur's practice defies easy categorisation. With its fastidious regard for scale and form, Kaur's work is both alluring and contemplative.
Kaur has exhibited internationally; Overgrown House (2020) is included in Compton Verney's major new Sculpture in the Park project for 2024 alongside legendary sculptors such as Louise Bourgeoise and Helen Chadwick. Major solo exhibitions include Nothing is Fixed (2024) John Hansard Gallery, Southampton; Outgrown (2022), The ArtHouse, Wakefield; Home, 5 Howick Place, London (2020-21); Interlopers, University of Hertfordshire (2016); Hiding Out, Djanogly Art Gallery, Nottingham Lakeside Arts (2014) and Cold Comfort, Ikon Gallery, Birmingham & Mead Gallery, Coventry (1996).

Her work was recently included in the major Arts Council Collection show Breaking the Mould: Sculpture by Women since 1945 (Yorkshire Sculpture Park; Djanogly Gallery, University of Nottingham; Levinsky Gallery & The Box, Plymouth; Ferens Art Gallery, Hull and The New Arts Gallery, Walsall, 2021 - 2023) and If Not Now, When? Generations of Women in Sculpture in Britain, 1960 - 2022, Hepworth Wakefield and Saatchi Gallery, London (2023). At Home with Art, Tate & Hayward Touring (2000), featured Permindar's Shower Curtain (2000)."