"Vexations is a brilliant, dizzying, necessarily unnerving take on the project of the state and the varied estrangements on which it feeds. Demanding and speculative, Gelman's book-length poem names the absurd conditions out of which we (readers), and the text itself, emerge, awakening a rage. The world Gelman creates is a strange, slant rendering of our own, delivering shock after shock of recognition in our reading of its intimacies--clarity, threat, pleasure, dread. Part mother's account of her life with her young daughter, part encounter with Erik Satie's nineteenth-century score of the same name, Vexations is a poem, a performance, and a score of endurance. It is a book radiant and terrifying with our time. It is afire."--Aracelis Girmay and Solmaz Sharif "James Laughlin Award judges' statement"
"This experimental book-length poem traces a mother and daughter's travels through a surreal landscape on the verge of ecological and social collapse."-- "Publishers Weekly"
"Mesmerizing and propulsive, Vexations moves like a snake through the uncanny grass of a creeping dystopia where care blurs with surveillance, small disasters dovetail with large, and too-late leaks into still-to-come. Here, the epic veers eerie and antiheroic, immersing us in a consciousness--in a world--flooded by strange but all too familiar fears. This is an unsettling, flawlessly crafted book by a singular poet."--Lisa Olstein, author of "Climate"
"With this stunning shapeshifter, Gelman manages to create a remarkable hybrid: a book-length poetic narrative of speculative fiction, an urgent account of a mother/daughter relationship, and a coruscating view of our ecological future. Vexations manages what many of us call literature to do: show us humanity subject to and transcendent of time."--Douglas Kearney, Phoenix Poets consulting editor and author of "Sho"
"Gelman's Vexations moves in organized disjunction through a winding narrative that insists and compels."-- "Harriet Books"
"Brilliant. . . Relentlessly and restlessly experimental. . . the book is also compulsively readable, a page-turner--a combination, honestly, I've seldom seen before."-- "Colorado Review"