"An impeccably researched and illuminating history of the all-woman exhibition in the United States, prior to the emergence of the Women's Movement. Belasco provides a compelling, richly textured account of the vital role institutions, artists, critics, and curators played in mounting groundbreaking exhibitions of work by women artists in an era marked by conservative values and sexual and racial discrimination."--Jo Applin, professor in the history of art, Courtauld Institute of Art
"Belasco's book offers detailed research that scholars will make use of for years to come, following the threads of individual artists, curators, dealers, and other figures. But it's the stories themselves that will stay with you: surprising, infuriating, inspiring."--Katy Siegel, Distinguished Professor, Stony Brook University, Research Director, SFMOMA
"Belasco reveals a wealth of new information in this well-researched, captivating study. Interweaving stories of lesser-known and more celebrated exhibitions and artists, he significantly amplifies our understanding of women and the art world at midcentury."--Elizabeth Smith, Executive Director, Helen Frankenthaler Foundation